1985.R.120, Brocaded Rectangular Panel with Two Evangelists, 17th Century
GENERAL DESCRIPTION
In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection.
1985.R.119, Brocaded Rectangular Panel of Virgin and Child, 18th century
GENERAL DESCRIPTION
In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection.
1985.R.117, Robe Panel with Blue Center, Spain, 18th century
GENERAL DESCRIPTION
Symbol of Christ's love, the chasuble was traditionally worn by members of the clergy on special occasions. The shape of this chasuble back with an uncrossed central applied panel is typical of those worn in Spain in the 17th and 18th centuries. The front is fiddle shaped.
1985.R.114, Rectangular Red Brocade Piece with Two Angels, n.d.
GENERAL DESCRIPTION
In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection. The Reves textile collection includes European vestments, bed coverings, velvets, silk fabrics, and laces, as well as carpets from Spain, Turkey, Egypt, and India.
1985.R.116, Square Textile Brocade, France, 18th Century
GENERAL DESCRIPTION
In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection. The Reves textile collection includes European vestments, bed coverings, velvets, silk fabrics, and laces, as well as carpets from Spain, Turkey, Egypt, and India.
1985.R.123, White Runner with Brown Floral Design, France, 1715-1774
GENERAL DESCRIPTION
In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection. The Reves textile collection includes European vestments, bed coverings, velvets, silk fabrics, and laces, as well as carpets from Spain, Turkey, Egypt, and India.
1985.R.113, Fragment from Red and Gold Brocade Panel, 18th century
GENERAL DESCRIPTION
In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection. The Reves textile collection includes European vestments, bed coverings, velvets, silk fabrics, and laces, as well as carpets from Spain, Turkey, Egypt, and India.
39.2015.1 Frida Kahlo, Self-Portrait, “Very Ugly” (Autorretrato, “Muy Fea”), 1933
GENERAL DESCRIPTION
Considered Frida Kahlo’s sole attempt at fresco painting, this small plasterboard panel reveals the artist’s exploration and subsequent abandonment of a medium with which her husband—famed muralist Diego Rivera—had much familiarity.
48.2015.1 Frida Kahlo, Itzicuintli Dog with Me, c. 1938
GENERAL DESCRIPTION
Completed immediately before Frida Kahlo’s solo debut in New York and subsequent sensational reception in Paris as a Surrealist painter, this 1938 self-portrait was likely painted at the artist’s home in Mexico City.
1991.11 Francis William Edmonds, Commodore Trunnion and Jack Hatchway
GENERAL DESCRIPTION
In this scene adapted from Tobias Smollett's novel