Materials & Techniques

Oil Paint—History and Technique

GENERAL DESCRIPTION
Oil paint has been used since Classical times for decorative painting, for example, embellishing furniture. In the 15th and 16th centuries Flemish and Venetian artists employed a combination of tempera and oil mediums in easel painting. Oil painting was not the invention of anyone of these artists but a gradual development through the experiments and recipes of many artists.

Oil Paint

GENERAL DESCRIPTION
Oil paint is pigment ground with oil. Linseed oil is most commonly used, although poppy-seed and walnut oil are also suitable. Whereas tempera paint and frescos dry rapidly and require speedy paint application, oil paint takes much longer to dry. Artists in the 15th century exploited the medium's slow drying time in order to create highly detailed images that could be reworked over days or weeks. Artists and audiences also appreciated the brilliant colors produced by layering oil paint in thin glazes.

Tempera—History and Technique

GENERAL DESCRIPTION
This medium, practiced extensively by 14th-century Italian artists and often associated with 15th-century Flemish painting, demands careful draftsmanship and exacting precision. Traditionally, tempera consists of pigment mixed with egg yolk and water but the whole egg or egg white may also be used. Today the term tempera i

Historical Painting Techniques

GENERAL DESCRIPTION
Much of our knowledge of painting techniques comes from technical examinations of paintings. However, we also have access to painters' recipe books, some dating from Roman times, which describe the manufacture of paints, varnishes, and gesso. In the Medieval period, painters' guilds controlled the quality of craftsmanship with long apprenticeships and set rules for the manufacture and use of painting materials. Artists' techniques and materials are well documented by contemporary critics in the Renaissance.

Gesso

GENERAL DESCRIPTION
Gesso is a solid coating made of a glue solution with chalk and white pigment added. Tinted gesso was often used in Medieval and Renaissance paintings. Gesso can be watered down and applied with a brush or applied with a putty knife when used in its thickened consistency. Another term used when painters choose not to gesso their surface is raw.

Canvas

GENERAL DESCRIPTION
Canvas refers to any closely woven fabric. Linen is considered a superior canvas, although cotton canvas is also used by many painters. To prepare a canvas for a traditional easel painting, the artist first stretches the fabric over a wooden frame and tacks it in place. Next, they moisten the fabric with water and tightly re-stretch it across the frame.

Batik

GENERAL DESCRIPTION
Batik is a wax-resist process for dye-decorating cloth. The wax resists the dye, preventing it from absorbing into the cloth and producing a design in the negative.

Ikat

GENERAL DESCRIPTION
Throughout Indonesia, the primary means of achieving patterns in textiles is by the tying and dyeing of warp or weft yarns or both before weaving begins. This process is known in English as ikat, from the stem of the Malay-Indonesian word mengikat, which means to tie or bind.