Anri Sala, _Intervista_
GENERAL DESCRIPTION
In 1997, Anri Sala discovered a black-and-white 16mm newsreel in a box of his belongings at his parents' home in Tirana, Albania. Sala's parents had thought the newsreel, wrapped in black plastic, belonged to him. However, the newsreel, which no longer had its soundtrack, was made in the late 1970s by the state television.
F. Luis Mora to Alexandre Hogue, letter regarding _Gypsy and Sunlight_
GENERAL DESCRIPTION
The following is an excerpt from a letter written by F. Luis Mora to Alexandre Hogue, March 28, 1927. The original is in the Alexandre Hogue papers, 1929-1992, Archives of American Art, Smithsonian Institution, Washington, DC.
Maya Miniatures: Textiles for the Saints among the Contemporary Maya in Guatemala
GENERAL DESCRIPTION
The cult of the saints came to Guatemala in the 16th century when the invading Spanish introduced Christianity.
Plaque with single figure
GENERAL DESCRIPTION
This plaque of a high-ranking warrior chief is from the powerful Benin kingdom. Located inland from the Niger River Delta in present-day Nigeria, the African kingdom was founded in the 10th century and reached its height during the 16th and 17th centuries.
Benin art, made to glorify the reigning and ancestral kings (oba), served as both a sign of status and record of court life.
Standing female figure (1974.Sc.29)
GENERAL DESCRIPTION
Among the Igbo peoples of north central Igboland, pubescent girls (agbogho) prepared for womanhood through a process called nkpu, which translates as “fattening confinement.” While overeating and maintaining the weight gained by not working or exercising for six months or longer (depending upon the family’s economic situ
Symbol of the inner head (ibori) and House of the head (ile ori)
GENERAL DESCRIPTION
Most African sculptures of human figures may seem distorted to Western eyes accustomed to the proportions of classical Greek statuary. The head, for instance, is out of proportion to the rest of the body.
Epa headdress
GENERAL DESCRIPTION
Annual festivals held throughout Yorubaland incorporate masquerades that celebrate the values and social roles upon which the well-being of the towns depend. The festival, called Epa (or Elefon) in Ekiti towns, is characterized by the appearance of large-scale wooden headdresses. The animals and humans carved on the superstructure of the headdress represent real or mythical ancestors who provide the foundation and continuity of Yoruba society.
An _Olumeye_ for Ritual Hospitality
GENERAL DESCRIPTION
The Yoruba have traditionally offered kola nuts to guests in a domestic hospitality ritual or to the deities in the context of religious worship. While gourd containers served these purposes for most people, honored visitors to the palace or other prestigious residences were served from elaborately decorated wooden bowls. The containers are called olumeye in reference to the kneeling female figure holding the bowl.
Sword Ornament in the form of a lion
GENERAL DESCRIPTION
The Asante, considered to be the most prolific makers of gold ornaments, have the Golden Stool as their royal symbol. According to oral tradition, in the early 17th century, this stool and a bell miraculously descended from the sky and landed on the lap of Osei Tutu, the first Asante king. Gold is the sun's earthly complement; the king, like the Golden Stool, represents the soul and vitality of the Asante nation.