Artists & Designers

Martin Kippenberger (1953-1997)

GENERAL DESCRIPTION
Throughout the twenty years of his artistic career from 1977 to 1997, Martin Kippenberger refused to adopt a specific style or medium. However, the intertwining of high art with the issues and scenes of mass- and sub-cultures runs throughout his varied output, as does humor–whether through incisive social, cultural, and political criticism, or through the wordplay of the titles of his works. 

Merritt Mauzey (1898-1973)

GENERAL DESCRIPTION
Born in Clifton, Texas, Merritt Mauzey was raised on a cotton farm in Oak Creek Valley, Nolan County, where he absorbed first hand the planting, nurturing, and harvesting processes. He was married in 1918 and two years later acquired his own cotton farm.

Texas Printmakers

GENERAL DESCRIPTION
In 1940, eight women formed the Printmakers Guild when one of them, Bertha Landers, was denied entry to the Lone Star Printmakers, an all-male organization.  Beginning in 1941 the club held annual exhibitions to showcase their art and offe

Lone Star Printmakers

GENERAL DESCRIPTION
In May 1938, sixteen Texas artists met to create the Lone Star Printmakers, a local organization patterned after the Associated American Artists, an art club and gallery established in 1934 in New York City. Like the AAA, the Lone Star Printmakers served the dual purpose of promoting the creation and collecting of prints.

Hitoshi Nomura (b. 1945)

GENERAL DESCRIPTION
Conceptual artist Hitoshi Nomura was born in 1945 in Hyogo Prefecture, Japan. He graduated with a BFA, which he followed with a graduate degree from Kyoto City University of Fine Art, Department of Sculpture. Since 2000, he has been a professor at the same university.

Gilbert Stuart (1755-1828)

GENERAL DESCRIPTION
The pre-eminent American portraitist of his day, Stuart painted virtually all the country's leading figures and is particularly well known for his different studies of George Washington. By Americanizing the English grand manner tradition, he created a chapter in American art history that is one of its most distinct and distinguished.