First Solo Museum Exhibition for Naudline Pierre Opens at Dallas Museum of Art in September 2021

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--Presentation Features Debut of Five New Paintings and a Recent DMA Acquisition--

Dallas, TX – August 24, 2021 – The first solo museum exhibition for painter Naudline Pierre premieres at the Dallas Museum of Art this fall. Naudline Pierre: What Could Be Has Not Yet Appeared debuts five major new paintings alongside existing works by Pierre, including the DMA’s recent acquisition Lest You Fall (2019). On view from September 26, 2021, through May 15, 2022, the exhibition is included in free general admission. It showcases Pierre’s vivid style, recurring cast of otherworldly characters, and use of fantasy to imagine escape and possibility in the elsewhere.

“Providing a platform for the work of rising artists is a critical element of the DMA’s contemporary art exhibitions and programs, reflecting the global voices shaping creative practice today and connecting audiences with some of the most influential artists of our time,” said Dr. Agustín Arteaga, the DMA’s Eugene McDermott Director. “Naudline Pierre is one such artist, and we are honored to have her work not only on our walls but also in our collection, where it will continue to awe and inspire.” 

Naudline Pierre (b. 1989, Leominster, MA; lives and works in Brooklyn, NY) creates richly hued paintings that portray otherworldly narratives, featuring supernatural beings entangled in complex scenes of struggle and intimacy. Drawing from conventions of Renaissance art and religious painting, Pierre reimagines these art historical traditions through her distinct contemporary lens, subverting the canon by creating space for manifestations of Blackness and femmehood that elude rigid definitions of identity. Often through the storyline of a recurring protagonist, Pierre’s works imagine new worlds that center care, tenderness, and liberation.

For What Could Be Has Not Yet Appeared, Pierre is creating a suite of five new works that continue her investigations of hybridity, multiplicity, and transformation through the unfolding narrative of a central protagonist. Across the five canvases, the central figure undergoes a process of change, gaining the powers of flight, wielding flame, and claiming her power in an expression of the escape, pleasure, and care made possible in Pierre’s fantastic worlds. The works are presented alongside other recent works by Pierre—including the DMA’s recent acquisition, Lest You Fall (2019)—that illustrate similar themes and embody the painterly techniques that have become Pierre’s signature: jewel-toned hues; gradients of color; thin, translucent washes; and figures built up from modulated layers and tones.

"With her technical prowess and poetic approach to narrative world-building, Naudline Pierre is a uniquely imaginative and empathetic artist," said Hilde Nelson, the DMA’s Curatorial Assistant for Contemporary Art. "Awash in crimsons, ochres, and violets, her worlds offer a much-needed space for escape and transformation, in which the artist, the protagonist, and we as viewers can be full and expansive." 

Naudline Pierre: What Could Be Has Not Yet Appeared is organized by the Dallas Museum of Art. The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the National Endowment for the Arts, the Texas Commission on the Arts, and the citizens of Dallas through the City of Dallas Office of Arts and Culture.



About the Dallas Museum of Art
Established in 1903, the Dallas Museum of Art (DMA) is among the 10 largest art museums in the country. With a free general admission policy and community outreach efforts, the DMA is distinguished by its commitment to research, innovation, and public engagement. At the heart of the Museum and its programs is its global collection, which encompasses 25,000 works and spans 5,000 years of history, representing a full range of world cultures. Located in the nation’s largest arts district, the Museum acts as a catalyst for community creativity, engaging people of all ages and backgrounds with a diverse spectrum of programming, from exhibitions and lectures to concerts, literary events, and dramatic and dance presentations. The DMA is an Open Access institution, allowing all works believed to be in the public domain to be freely available for downloading, sharing, repurposing, and remixing without restriction. For more information, visit DMA.org.

The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the National Endowment for the Arts, the Texas Commission on the Arts, and the citizens of Dallas through the City of Dallas Office of Arts and Culture.