Andes, South America

GENERAL DESCRIPTION
In South America, the greatest concentration of cultural development occurred along the western edge of the continent. This geographic area is often referred to as the Andes, and distinctive cultural characteristics include: 1) the preservation of fragile materials—textiles, wood, and feathers—through burial or storage in one of the world’s driest deserts; 2) art styles that relied on materials and themes from diverse and geographically distant environments including the coast, highlands, and tropical forests; 3) the importance of camelid species (llama, alpaca, guanaco, and vicuña); 4) an early mastery of working precious metals (gold, silver, and copper); and 5) a system of recording information using knotted cords or strings. The countries of Colombia and Ecuador are often described as the Northern Andes with shared influences extending from the Central Andes, especially under the Inca Empire, during the Late Horizon (1400-1532 CE).

In the Andes, there was no recognizable writing system prior to the Spanish arrival in the 16th century. Contemporary understanding about pre-Hispanic Andean cultures thus derives principally from three approaches: archaeology, material analysis, and ethnohistory. While ethno-historical sources (such as Spanish chronicles) offer insight about cultures at the Spanish conquest from a colonial perspective, archaeological and visual analyses engage the material evidence of pre-Hispanic cultures. Scientific excavation of these archaeological contexts is thus fundamental to advancing our understanding, providing information on object associations, ritual practices, and lifeways (diet, hygiene, migrations). Nothing can replace contextual information once lost through looting and destruction of ancient sites. Building on available archaeological research, material and visual analyses can offer further information about cultural artifacts. That is, an object may convey information about its medium (cotton, bronze), production (cast, woven), function (weapon, headgear), and cultural period (form, technique), as well as clues regarding its creator, owner, audience, and significance. As the artworks demonstrate, such analyses may elucidate rather complex cultural interactions. Through stewardship of cultural arts, museums perform a crucial role in such analyses, supporting field research and public awareness. The Andes today draw visitors from around the globe, defining a region replete with visible cultural heritage, ritual traditions, and artistic production.

Drawn from
  • Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Gallery text, 2015.
  • Ken Kelsey, Gail Davitt, Mary Ann Allday, Barbara Barrett, and Dana DeLoach, DMA Teaching Packet, 1995.
  • Michael Coe, Dean Snow, and Elizabeth Benson, Atlas of Ancient America (New York and Oxford: Facts on File Publications, 1986): 157.

NOTES
  • Note: General description drawn from multiple exhibition gallery texts: Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Gallery text [History Through Material Culture; The Andes], 2015.
  • Note: General description drawn from: Ken Kelsey, Gail Davitt, Mary Ann Allday, Barbara Barrett, Dana DeLoach, "Introduction," in Ancient American Art at the Dallas Museum of Art, DMA Teaching Packet (Dallas, Texas: Dallas Museum of Art, 1995), 3-4.

ASSOCIATED CONTENT CHUNKS

AUDIO ASSETS

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
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Category
rules_operator
OR
General Description
In South America, the greatest concentration of cultural development occurred along the western edge of the continent. This geographic area is often referred to as the Andes, and distinctive cultural characteristics include: 1) the preservation of fragile materials—textiles, wood, and feathers—through burial or storage in one of the world’s driest deserts; 2) art styles that relied on materials and themes from diverse and geographically distant environments including the coast, highlands, and tropical forests; 3) the importance of camelid species (llama, alpaca, guanaco, and vicuña); 4) an early mastery of working precious metals (gold, silver, and copper); and 5) a system of recording information using knotted cords or strings. The countries of Colombia and Ecuador are often described as the Northern Andes with shared influences extending from the Central Andes, especially under the Inca Empire, during the Late Horizon (1400-1532 CE).

In the Andes, there was no recognizable writing system prior to the Spanish arrival in the 16th century. Contemporary understanding about pre-Hispanic Andean cultures thus derives principally from three approaches: archaeology, material analysis, and ethnohistory. While ethno-historical sources (such as Spanish chronicles) offer insight about cultures at the Spanish conquest from a colonial perspective, archaeological and visual analyses engage the material evidence of pre-Hispanic cultures. Scientific excavation of these archaeological contexts is thus fundamental to advancing our understanding, providing information on object associations, ritual practices, and lifeways (diet, hygiene, migrations). Nothing can replace contextual information once lost through looting and destruction of ancient sites. Building on available archaeological research, material and visual analyses can offer further information about cultural artifacts. That is, an object may convey information about its medium (cotton, bronze), production (cast, woven), function (weapon, headgear), and cultural period (form, technique), as well as clues regarding its creator, owner, audience, and significance. As the artworks demonstrate, such analyses may elucidate rather complex cultural interactions. Through stewardship of cultural arts, museums perform a crucial role in such analyses, supporting field research and public awareness. The Andes today draw visitors from around the globe, defining a region replete with visible cultural heritage, ritual traditions, and artistic production.

Drawn from
  • Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Gallery text, 2015.
  • Ken Kelsey, Gail Davitt, Mary Ann Allday, Barbara Barrett, and Dana DeLoach, DMA Teaching Packet, 1995.
  • Michael Coe, Dean Snow, and Elizabeth Benson, Atlas of Ancient America (New York and Oxford: Facts on File Publications, 1986): 157.

Fun Facts

Archival Resources

Web Resources

Notes
  • Note: General description drawn from multiple exhibition gallery texts: Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Gallery text [History Through Material Culture; The Andes], 2015.
  • Note: General description drawn from: Ken Kelsey, Gail Davitt, Mary Ann Allday, Barbara Barrett, Dana DeLoach, "Introduction," in Ancient American Art at the Dallas Museum of Art, DMA Teaching Packet (Dallas, Texas: Dallas Museum of Art, 1995), 3-4.

tags
#draft
#completed
@Higgins
*Arts of the Americas
%copyedited_Gail
burials: AAT: 300263485
ritual (events): AAT: 300065284
Andes (mountain system/South America): TGN: 7016589
wood (plant material): AAT: 300011914
metalwork: AAT: 300015336
languages: AAT: 300386046
textiles (visual works): AAT: 300014063
Colombia (nation): TGN: 1000050
Peru (nation): TGN: 1000056
Paracas: AAT: 300017276
Paracas Peninsula (Península de Paracas): TGN: 1012895
Chavín horizon: AAT: 300017269
Chavín (ancient site): TGN: 6001308
Sicán (Lambayeque): AAT: 300017331
Lambayeque (region/Peru): TGN: 1000665
Lambayeque (Peru): TGN: 1024582
*Latin American Art
Moche: AAT: 300017287
Moche (river): TGN: 7016595
Early Intermediate period (Pre-Columbian Andean styles and periods): AAT: 300017280
feather (material): AAT: 300011809
Wari (Huari): AAT: 300017283
Wari (Huari): TGN: 1024536
archaeology (social sciences): AAT: 300054328
Bolivia (nation): TGN: 1000046
Nazca (Nasca): AAT: 300017290
Chimú: AAT: 300017316
Inca horizon: AAT: 300017352
Tiahuanaco (Tiahuanacu/Tiwanaku/Tiwanacu): TGN: 1020440
Tiahuanaco (Tiwanaku/Tiyawanaku): AAT: 300017305
Inca (Inka): AAT: 300017326
Chimú (former nation/state/empire): TGN: 8698270
empires (sovereign states): AAT: 300128214
Cupisnique (Coast Chavin): AAT:300017270
conquests (events): AAT: 300410367
South America (continent): TGN: 1000002
camelidae (camelid) fiber: AAT: 300310434
Inca Empire: TGN: 6002741
Nazca: TGN: 7033105
ethnohistory (social anthropology): AAT: 300263348
Ecuador (nation): TGN: 1000051
record-keeping works: AAT: 300026685
records (documents): AAT: 300026685
Spanish conquest (events): DMA
Salinar: AAT: 300017299
Paracas Necropolis: AAT: 300017278
artifacts (object genre): AAT: 300117127
excavation (process): AAT: 300053702
material culture (genre): AAT: 300263553
Chongoyape (Peru): TGN: 1024459
Tembladera (culture): DMA
Tembladera (burial site): DMA
Chongoyape (culture and style): DMA
Chan Chan (deserted settlement): TGN: 1099735
source file
time_and_place-0082.xml.nores