GENERAL DESCRIPTION
Many types of images and objects are used in Tibetan ceremonies, including thangkas (portable Tibetan religious paintings), votive bronze sculptures, small stupas, the conch shell, used as a musical instrument [2009.15.2], and the purba, or ritual dagger. A five-skull diadem, another ceremonial object, has images of skulls that symbolize the passions of greed, anger, ignorance, pride, and jealousy, which a Buddhist must overcome [2000.405]. The diadem is used in masked dances, and the Dallas Museum of Art dakini Vajravarahi figure, illustrating the use of such implements, dances with a ritual chopper in one hand and a skull cup in the other [1982.9.FA]. Like the Vajrabhairava bronze sculpture or sensuous Hindu deities, and like the Durga relief from Rajasthan, the dynamically sensual Vajravarahi is enticing as well as lethal. Such frightening figures embody the ability to transcend attachment to human senses and the obstacles to enlightenment.
The stupa is one of the significant forms of Himalayan Buddhism. Stupas were often memorials constructed to honor Buddhist holy figures. They sometimes contained physical relics and also symbolized basic philosophical ideals. Originating in India, they were based on pre-Buddhist burial mounds. In the Himalayas we find large architectural stupas whose domed shape and tiers that rise to the cosmic symbols of sun and moon symbolize the way to enlightenment. The DMA large bronze stupa is such a visionary structure, both mandala and memorial [2001.263].
From the 11th to 20th centuries, Tibet, with its isolated position high in the Himalayas and its harsh environment, continued to develop its own unique form of Buddhism and associated arts. Even the political changes in modern Tibet have not destroyed the character of Tibetan Buddhism.
The arts of Nepal reflect a different history since Nepal has been more accessible to India and has been influenced by Indian religious art styles from an early period. Buddhism was a powerful force in Nepal from the 8th century onward and is still practiced today. Hinduism and Buddhism coexist in modern Nepal. The two religions have mingled in the arts of the Kathmandu Valley, where the majority of Nepalese artists and artisans work. Just as Hinduism had a powerful influence on the way Buddhism developed in the Himalayas, Hindu art had an impact on Nepalese art. The form of stupas in Nepal resembles certain Hindu structures and architectural features, though with a Nepalese character.
Adapted from
- Anne Bromberg "The Arts of the Himalayas", in The Arts of India, South East Asia, and the Himalayas (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 153-154.
NOTES
Note identified by Heather in November 2017 as being a duplicate in the IN FOCUS notebook. EAS deleted one of the two notes 11/12/2017 and is moving this note to Time and Place. It could be relocated to a diff CC notebook if there is one better suited to content pulled from Bromberg's AISEAH?
Neither of the duplicate notes had any tags so the duplication should not have appeared in Brain or GDocs. I am confirming that now. I added author, status, department tag so that note would be easier to locate in the future.
BE AWARE- this note appears to have been broken down into multiple other notes by JBG?? See- Tibetan Buddhism
Possibly search source and verify page numbers. This essay was across multiple pages. Tibetan Buddhism CC pulled from page 152.
Note: I changed the title of this CC from "The Arts of the Himalayas" to "The Arts of Himalayan Buddhism" as Jeelan had already broken this essay up with Tibetan Buddhism and Tibetan Sculpture. - Chloe Courtney
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- The Rubin Museum~Explore objects related to Tibetan Buddhism.
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apply to content where content contains himalaya
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apply to objects where public_notes contains himalaya
apply to objects where public_notes contains tibet
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General Description
Many types of images and objects are used in Tibetan ceremonies, including thangkas (portable Tibetan religious paintings), votive bronze sculptures, small stupas, the conch shell, used as a musical instrument [2009.15.2], and the purba, or ritual dagger. A five-skull diadem, another ceremonial object, has images of skulls that symbolize the passions of greed, anger, ignorance, pride, and jealousy, which a Buddhist must overcome [2000.405]. The diadem is used in masked dances, and the Dallas Museum of Art dakini Vajravarahi figure, illustrating the use of such implements, dances with a ritual chopper in one hand and a skull cup in the other [1982.9.FA]. Like the Vajrabhairava bronze sculpture or sensuous Hindu deities, and like the Durga relief from Rajasthan, the dynamically sensual Vajravarahi is enticing as well as lethal. Such frightening figures embody the ability to transcend attachment to human senses and the obstacles to enlightenment.
The stupa is one of the significant forms of Himalayan Buddhism. Stupas were often memorials constructed to honor Buddhist holy figures. They sometimes contained physical relics and also symbolized basic philosophical ideals. Originating in India, they were based on pre-Buddhist burial mounds. In the Himalayas we find large architectural stupas whose domed shape and tiers that rise to the cosmic symbols of sun and moon symbolize the way to enlightenment. The DMA large bronze stupa is such a visionary structure, both mandala and memorial [2001.263].
From the 11th to 20th centuries, Tibet, with its isolated position high in the Himalayas and its harsh environment, continued to develop its own unique form of Buddhism and associated arts. Even the political changes in modern Tibet have not destroyed the character of Tibetan Buddhism.
The arts of Nepal reflect a different history since Nepal has been more accessible to India and has been influenced by Indian religious art styles from an early period. Buddhism was a powerful force in Nepal from the 8th century onward and is still practiced today. Hinduism and Buddhism coexist in modern Nepal. The two religions have mingled in the arts of the Kathmandu Valley, where the majority of Nepalese artists and artisans work. Just as Hinduism had a powerful influence on the way Buddhism developed in the Himalayas, Hindu art had an impact on Nepalese art. The form of stupas in Nepal resembles certain Hindu structures and architectural features, though with a Nepalese character.
Adapted from
- Anne Bromberg "The Arts of the Himalayas", in The Arts of India, South East Asia, and the Himalayas (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 153-154.
Fun Facts
Archival Resources
Web Resources
Notes
Note identified by Heather in November 2017 as being a duplicate in the IN FOCUS notebook. EAS deleted one of the two notes 11/12/2017 and is moving this note to Time and Place. It could be relocated to a diff CC notebook if there is one better suited to content pulled from Bromberg's AISEAH?
Neither of the duplicate notes had any tags so the duplication should not have appeared in Brain or GDocs. I am confirming that now. I added author, status, department tag so that note would be easier to locate in the future.
BE AWARE- this note appears to have been broken down into multiple other notes by JBG?? See- Tibetan Buddhism
Possibly search source and verify page numbers. This essay was across multiple pages. Tibetan Buddhism CC pulled from page 152.
Note: I changed the title of this CC from "The Arts of the Himalayas" to "The Arts of Himalayan Buddhism" as Jeelan had already broken this essay up with Tibetan Buddhism and Tibetan Sculpture. - Chloe Courtney
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time_and_place-0074.xml.nores