Hopi Katsinas (Kachinas)

GENERAL DESCRIPTION
For the Hopi, the word kachina (katsina) refers to three distinct but related entities: the invisible spirits who are an essential part of Hopi life, the personification of those spirits in ceremonial dances, and the carved and decorated dolls that the kachinas give to infants and women. Kachinas serve as intermediaries between the supernatural and human realms. They are generally bringers of clouds, rain, and all good things.
 
Kachinas (katsinam) present themselves in our world for the annual period falling just after the winter solstice and concluding after the summer solstice. For the remainder of the year, these ancestral spirits occupy an underworld accessed through the sipapu, or vertical entranceway.

Adapted from
Kimberly L. Jones, PhD, Hopi Visions: Journey of the Human Spirit, Gallery text [Kachina (katsina)], 2018.

NOTES
  • NOTE: Please use image in DMA collections. (See rules)
  • Original description -- Adapted from: Carol Robbins, Label Text, "All the World's a Stage: Celebrating Performance in the Visual Arts," 2009 (recorded in TMS, Notes / Label Text); Carol Robbins, Object Summary, Curatorial Remarks (dated January 10, 1994, copy in Dallas Museum of Art Collections Records Object File)
    • For the Hopi, the word katsina (kachina) refers to three distinct but related entities: the invisible spirits who are an essential part of Hopi life, the personification of those spirits by Hopi men wearing masks and costumes in ceremonial dances, and the carved wood figures called tihu (small person or child) that Hopi men give to infants and to women of all ages. 
    • Although the word "doll" is commonly applied to the figures, the Hopi call them "tihu"; they are not playthings, but small effigies of individual spirits to be hung from a beam or wall in the Hopi house. Tihu are often described as teaching devices for Hopi children, the means by which they learn the identities of the various katsinas. Hopi scholar Burton Wright has suggested that the tihu tradition serves to increase women's contact with the spiritual world, for it is Hopi men who impersonate the katsinas in the plaza dances and thereby benefit from that close association with the supernatural. A man carves a figure in the likeness of the spirit he impersonated and gives it most often to a female relative, especially a girl approaching marriageable age. 
    • The katsina spirits are intermediaries between the Hopi and other supernaturals; they are also messengers of the gods and bringers of clouds and rain.  The Hopi man who portrays a kachina spirit gives visual form to the invisible and becomes one with the spirit he represents. The tihu is a remembrance both of a dancer's portrayal and of the bond that exists between human beings and the supernatural.

ASSOCIATED CONTENT CHUNKS

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS 

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS 

TEACHING IDEAS 

RULES
SET OPERATOR AS OR
Apply to objects where number equals 1993.71
Apply to objects where number equals 1982.95
Apply to objects where number equals 1990.243
Apply to objects where number equals 1990.244
Apply to objects where number equals DS.1990.41
Apply to objects where number equals DS.1990.42
Apply to objects where number equals DS.1990.43
Apply to objects where number equals DS.1990.44

rules_operator
OR
General Description
For the Hopi, the word kachina (katsina) refers to three distinct but related entities: the invisible spirits who are an essential part of Hopi life, the personification of those spirits in ceremonial dances, and the carved and decorated dolls that the kachinas give to infants and women. Kachinas serve as intermediaries between the supernatural and human realms. They are generally bringers of clouds, rain, and all good things.
 
Kachinas (katsinam) present themselves in our world for the annual period falling just after the winter solstice and concluding after the summer solstice. For the remainder of the year, these ancestral spirits occupy an underworld accessed through the sipapu, or vertical entranceway.

Adapted from
Kimberly L. Jones, PhD, Hopi Visions: Journey of the Human Spirit, Gallery text [Kachina (katsina)], 2018.

Fun Facts
 
TEACHING IDEAS 

Archival Resources

Web Resources
 
Notes
  • NOTE: Please use image in DMA collections. (See rules)
  • Original description -- Adapted from: Carol Robbins, Label Text, "All the World's a Stage: Celebrating Performance in the Visual Arts," 2009 (recorded in TMS, Notes / Label Text); Carol Robbins, Object Summary, Curatorial Remarks (dated January 10, 1994, copy in Dallas Museum of Art Collections Records Object File)
    • For the Hopi, the word katsina (kachina) refers to three distinct but related entities: the invisible spirits who are an essential part of Hopi life, the personification of those spirits by Hopi men wearing masks and costumes in ceremonial dances, and the carved wood figures called tihu (small person or child) that Hopi men give to infants and to women of all ages. 
    • Although the word "doll" is commonly applied to the figures, the Hopi call them "tihu"; they are not playthings, but small effigies of individual spirits to be hung from a beam or wall in the Hopi house. Tihu are often described as teaching devices for Hopi children, the means by which they learn the identities of the various katsinas. Hopi scholar Burton Wright has suggested that the tihu tradition serves to increase women's contact with the spiritual world, for it is Hopi men who impersonate the katsinas in the plaza dances and thereby benefit from that close association with the supernatural. A man carves a figure in the likeness of the spirit he impersonated and gives it most often to a female relative, especially a girl approaching marriageable age. 
    • The katsina spirits are intermediaries between the Hopi and other supernaturals; they are also messengers of the gods and bringers of clouds and rain.  The Hopi man who portrays a kachina spirit gives visual form to the invisible and becomes one with the spirit he represents. The tihu is a remembrance both of a dancer's portrayal and of the bond that exists between human beings and the supernatural.

rules
Apply To
Objects
number
Equals
1993.71
Apply To
Objects
number
Equals
1982.95
Apply To
Objects
number
Equals
1990.243
Apply To
Objects
number
Equals
1990.244
Apply To
Objects
number
Equals
DS.1990.41
Apply To
Objects
number
Equals
DS.1990.42
Apply To
Objects
number
Equals
DS.1990.43
Apply To
Objects
number
Equals
DS.1990.44
tags
#draft
#completed
@Higgins
*Arts of the Americas
~American Indian
%copyedited_Gail
sculpture: AAT: 300047090
effigies (funerary sculpture): AAT: 300047108
figurine: AAT: 300047455
figures (representations): AAT: 300189808
effigies (general portraits): 300404933
deities: AAT: 300343850
ceremonial objects: AAT: 300234117
carving (processes): AAT: 300053149
Southwest (general region/United States): TGN: 4010660
wood (plant material): AAT: 300011914
clouds: AAT: 300343840
supernatural (concepts): AAT: 300055947
rain (precipitation / weather): AAT: 300055377
Southwestern North American styles (Pre-Columbian): AAT: 300016920
Arizona (state/United States): TGN: 7006451
Pueblo (Native American style): AAT: 300017746
spirit: AAT: 300379007
Hopi: AAT: 300017763
dancer: AAT: 300025653
dancing: AAT: 300389779
educational functions: AAT: 300132460
kachina / katsina dolls (figurines): AAT: 300211323
tihu (kachina / katsina dolls): DMA
source file
peoples_and_societies-0038.xml.nores