GENERAL DESCRIPTION
NOTES
This file was empty apart from the minimal papers related to the Bromberg bequest.
Assigned date according to multiple catalogues- c. 1898.
Added catalogues to TMS bibliography.
Added geographies to constituent record. (See object draft for Cassatt, Sleepy Baby, 1952.38.M)
DMA print does not meet the descriptions of 1st, 2nd, or 3rd state as listed in the catalogue raisonné. Based on the information for this print in the Met online collection, Matthews & Shapiro lists five states.
PUBLISHED REFERENCES-- I did not have time to enter all of these sources in TMS:
- Breeskin (1979),page 152 (illus.), cat entry on page 66, cat. no. 160 i/iv-- dated c.1898
- Mathews and Shapiro cat. no. 22 iii/v
- Rosen and Pinsky, Mary Cassatt: Prints and Drawings from the Artist's Studio (2000)-- page 107, illustrated in b/w and color, The Barefooted Child, dated 1896-1897
- Breeskin (1981- exhibition, Mary Cassatt: Graphic Art)- cat. no. 43, The Barefooted Child, c. 1898, no page number
- Breeskin, The Graphic Art of Mary Cassatt, 1967, The Museum of Graphic Art-- cat. 68 and 69- page 27, illus.-- dated 1895 and c. 1895
Secondary titles listed in Met online catalogue:
Child and Nurse
Les Marionettes
Met- The Barefooted Child; seondary titles on the Met's online collection- Child and Nurse; Les Marionettes (dated 1896-1897)
PMA owns two versions and have them with two different titles, both dated c.1898
PMA- The Barefoot Child
PMA- The Barefooted Child
publications- The Barefooted Child
Catalogue essays
Artist/designers
Cultures
Geography
made- Le Mesnil-Theribus
Process/materials
drypoint
aquatint
ink
paper
Historical periods
Individuals
Subject terms
mother
children
sitting
woman
pattern
clothing
shading
leg-of-mutton sleeves
RELATED OBJECTS
PROVENANCE
Before 2000: Alfred and Juanita Bromberg, Dallas, TX
After 2000: Dallas Museum of Art, Foundation for the Arts Collection, bequest from the above [1]
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- The Great Wave: The Influence of Japanese Woodcuts on French Prints~Read Colta Feller Ives' 1974 exhibition catalogue about the profound impact Japanese art had on artists working in France in the mid-19th century.
- Mary Cassatt: A Woman's World (Antiques & Fine Art)~Read William H. Gerdts' informative review of the 2008 exhibition, Mary Cassatt: Prints and Drawings from the Collections of Ambroise Vollard (2008, Adelson Galleries, New York, NY).
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2000.253.FA
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General Description
Fun Facts
Archival Resources
Web Resources
- The Great Wave: The Influence of Japanese Woodcuts on French Prints~Read Colta Feller Ives' 1974 exhibition catalogue about the profound impact Japanese art had on artists working in France in the mid-19th century.
- Mary Cassatt: A Woman's World (Antiques & Fine Art)~Read William H. Gerdts' informative review of the 2008 exhibition, Mary Cassatt: Prints and Drawings from the Collections of Ambroise Vollard (2008, Adelson Galleries, New York, NY).
Notes
This file was empty apart from the minimal papers related to the Bromberg bequest.
Assigned date according to multiple catalogues- c. 1898.
Added catalogues to TMS bibliography.
Added geographies to constituent record. (See object draft for Cassatt, Sleepy Baby, 1952.38.M)
DMA print does not meet the descriptions of 1st, 2nd, or 3rd state as listed in the catalogue raisonné. Based on the information for this print in the Met online collection, Matthews & Shapiro lists five states.
PUBLISHED REFERENCES-- I did not have time to enter all of these sources in TMS:
- Breeskin (1979),page 152 (illus.), cat entry on page 66, cat. no. 160 i/iv-- dated c.1898
- Mathews and Shapiro cat. no. 22 iii/v
- Rosen and Pinsky, Mary Cassatt: Prints and Drawings from the Artist's Studio (2000)-- page 107, illustrated in b/w and color, The Barefooted Child, dated 1896-1897
- Breeskin (1981- exhibition, Mary Cassatt: Graphic Art)- cat. no. 43, The Barefooted Child, c. 1898, no page number
- Breeskin, The Graphic Art of Mary Cassatt, 1967, The Museum of Graphic Art-- cat. 68 and 69- page 27, illus.-- dated 1895 and c. 1895
Secondary titles listed in Met online catalogue:
Child and Nurse
Les Marionettes
Met- The Barefooted Child; seondary titles on the Met's online collection- Child and Nurse; Les Marionettes (dated 1896-1897)
PMA owns two versions and have them with two different titles, both dated c.1898
PMA- The Barefoot Child
PMA- The Barefooted Child
publications- The Barefooted Child
Catalogue essays
Artist/designers
Cultures
Geography
made- Le Mesnil-Theribus
Process/materials
drypoint
aquatint
ink
paper
Historical periods
Individuals
Subject terms
mother
children
sitting
woman
pattern
clothing
shading
leg-of-mutton sleeves
RELATED OBJECTS
PROVENANCE
Before 2000: Alfred and Juanita Bromberg, Dallas, TX
After 2000: Dallas Museum of Art, Foundation for the Arts Collection, bequest from the above [1]
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
AUDIO ASSETS
VIDEO ASSETS
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2000.253.FA
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object_notes_4_c-0127.xml.nores