GENERAL DESCRIPTION
NOTES
Added geographies to constituent record. (See object draft for Cassatt, Sleepy Baby, 1952.38.M)
Replaced current title (Woman with Mirror) with accurate title based on multiple catalogues- The Bonnet.
Replaced no date with c. 1891. [This date needs to change to 1889-1890 if the print was included in the 1890 exhibition of 12 drypoints at Durand-Ruel as claimed in Rosen and Pinsky's 2000 exhibition catalogue.]
Revise medium and object name to include drypoint and be in same format as the other prints.
Added third state to TMS.
PUBLISHED REFERENCES:
Breeskin (1979),page 135 (illus.), cat entry on page 60, cat. no. 137- The Bonnet, c. 1891. Illustration shows the same inscription as DMA's- leads to conclusion that ours is 3rd state.
Rosen and Pinsky, Mary Cassatt: Prints and Drawings from the Artist's Studio (2000)-- page 68, no cat. no., illus-- The Bonnet, 1889-1890; NOTE- One of the seieres of 12 drypoints exhibited by Durand-Ruel in 1890.
Breeskin (1981- exhibition, Mary Cassatt: Graphic Art)- cat. no. 29, The Bonnet, c. 1891, no page number
Breeskin, The Graphic Art of Mary Cassatt, 1967, The Museum of Graphic Art-- cat. 42- page 25, illus.-- dated 1891
Catalogue essays
Artist/designers
Cultures
Geography
made- Paris
Process/materials
Ink
paper
etching
Historical periods
Individuals
Subject terms
woman
mirror
bonnet
face
linear
RELATED OBJECTS
PROVENANCE
Before 2000: Alfred and Juanita Bromberg, Dallas, TX
After 2000: Dallas Museum of Art, Foundation for the Arts Collection, bequest from the above [1]
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Mirror, Mirror on the Wall~Read about a few other mirror-related objects in the collection in this DMA Uncrated blog post.
- The Great Wave: The Influence of Japanese Woodcuts on French Prints~Read Colta Feller Ives' 1974 exhibition catalogue about the profound impact Japanese art had on artists working in France in the mid-19th century.
- Mary Cassatt: A Woman's World (Antiques & Fine Art)~Read William H. Gerdts' informative review of the 2008 exhibition, Mary Cassatt: Prints and Drawings from the Collections of Ambroise Vollard (2008, Adelson Galleries, New York, NY).
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2000.255.FA
Category
rules_operator
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General Description
Fun Facts
Archival Resources
Web Resources
- Mirror, Mirror on the Wall~Read about a few other mirror-related objects in the collection in this DMA Uncrated blog post.
- The Great Wave: The Influence of Japanese Woodcuts on French Prints~Read Colta Feller Ives' 1974 exhibition catalogue about the profound impact Japanese art had on artists working in France in the mid-19th century.
- Mary Cassatt: A Woman's World (Antiques & Fine Art)~Read William H. Gerdts' informative review of the 2008 exhibition, Mary Cassatt: Prints and Drawings from the Collections of Ambroise Vollard (2008, Adelson Galleries, New York, NY).
Notes
Added geographies to constituent record. (See object draft for Cassatt, Sleepy Baby, 1952.38.M)
Replaced current title (Woman with Mirror) with accurate title based on multiple catalogues- The Bonnet.
Replaced no date with c. 1891. [This date needs to change to 1889-1890 if the print was included in the 1890 exhibition of 12 drypoints at Durand-Ruel as claimed in Rosen and Pinsky's 2000 exhibition catalogue.]
Revise medium and object name to include drypoint and be in same format as the other prints.
Added third state to TMS.
PUBLISHED REFERENCES:
Breeskin (1979),page 135 (illus.), cat entry on page 60, cat. no. 137- The Bonnet, c. 1891. Illustration shows the same inscription as DMA's- leads to conclusion that ours is 3rd state.
Rosen and Pinsky, Mary Cassatt: Prints and Drawings from the Artist's Studio (2000)-- page 68, no cat. no., illus-- The Bonnet, 1889-1890; NOTE- One of the seieres of 12 drypoints exhibited by Durand-Ruel in 1890.
Breeskin (1981- exhibition, Mary Cassatt: Graphic Art)- cat. no. 29, The Bonnet, c. 1891, no page number
Breeskin, The Graphic Art of Mary Cassatt, 1967, The Museum of Graphic Art-- cat. 42- page 25, illus.-- dated 1891
Catalogue essays
Artist/designers
Cultures
Geography
made- Paris
Process/materials
Ink
paper
etching
Historical periods
Individuals
Subject terms
woman
mirror
bonnet
face
linear
RELATED OBJECTS
PROVENANCE
Before 2000: Alfred and Juanita Bromberg, Dallas, TX
After 2000: Dallas Museum of Art, Foundation for the Arts Collection, bequest from the above [1]
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
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VIDEO ASSETS
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Objects
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2000.255.FA
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object_notes_4_c-0126.xml.nores