2000.376 Boats at Wushan, Yangtse Gorge/China




GENERAL DESCRIPTION  
Thomas Struth's large scale, documentary-like photograph shows a melding of technology and nature along the Yangtze River in China, where machinery and traditional landscape become a hybrid formation through human intervention in the terrain. In this image of a Chinese city that in a few years will be completely submerged by the water of a dam, the perspective moves from the railing of a ship in the foreground, swings out to curved decks covered in what looks like Astroturf, then moves further toward the docks below a crest of land. There the town begins, with its roads and people, and culminates in a swath of buildings disappearing into the fog on a ridge in the right distance. A complete fusion has occurred here, just one of such occurrences the world over. 

Adapted from
Charles Wylie, "A History of Now: The Art of Thomas Struth," in Thomas Struth (Dallas: Dallas Museum of Art, 2002), 147-155.

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2000: Thomas Struth (b. 1954)

2000: Dallas Museum of Art, fractional gift of Dr. and Mrs. Armond G. Schwartz

Notes:
The main source for this provenance is the copy of the Co-Tenancy Agreement in the Collections Record object file (2000.376).

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2000.376
Category
rules_operator
AND
General Description
 
Thomas Struth's large scale, documentary-like photograph shows a melding of technology and nature along the Yangtze River in China, where machinery and traditional landscape become a hybrid formation through human intervention in the terrain. In this image of a Chinese city that in a few years will be completely submerged by the water of a dam, the perspective moves from the railing of a ship in the foreground, swings out to curved decks covered in what looks like Astroturf, then moves further toward the docks below a crest of land. There the town begins, with its roads and people, and culminates in a swath of buildings disappearing into the fog on a ridge in the right distance. A complete fusion has occurred here, just one of such occurrences the world over. 

Adapted from
Charles Wylie, "A History of Now: The Art of Thomas Struth," in Thomas Struth (Dallas: Dallas Museum of Art, 2002), 147-155.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2000: Thomas Struth (b. 1954)

2000: Dallas Museum of Art, fractional gift of Dr. and Mrs. Armond G. Schwartz

Notes:
The main source for this provenance is the copy of the Co-Tenancy Agreement in the Collections Record object file (2000.376).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2000.376
tags
#draft
#completed
%Archived
green (color): AAT: 300128438
@Bilal-Gore
*Contemporary Art
boats: AAT: 300178749
water: AAT: 300011772
nature: AAT: 300179372
photography (discipline): AAT: 300389795
cityscapes (representations): AAT: 300015571
technology: AAT: 300056069
Struth_Thomas: ULAN: 500037064
industry (economic concept): AAT: 300055718
Wushan: TGN: 1072675
color photographs: AAT: 300128359
source file
object_notes_4_c-0103.xml.nores