1964.112.A-B.FA Diminishing Reflections VIII (Left & Right)


GENERAL DESCRIPTION  
Louise Nevelson is best known for her wooden works composed of collected urban debris. Influenced by Marcel Duchamp’s found object sculptures, which incorporated everyday materials such as sinks and bicycle wheels, Nevelson carefully arranged her found materials into compositions that evoke the sense of a shrine. She unified the different objects, such as dowels and spindles, by painting them in her trademark color, black, which transformed the individual tools from practical objects into an invitation to meditation. Although primarily a sculptor, Nevelson shared a similar formal focus with the abstract expressionist painters. Diminishing Reflections VIII (Left & Right) explores line, flatness, and scale through careful attention to the relationship between the unique forms of the left and right containers.

Excerpt from
DMA label copy, 2014.

NOTES
Exhibition: The Museum is History, 2014
Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1964: Louise Nevelson (1899-1988)

1964: Dallas Museum of Fine Arts, purchased from Pace Gallery, New York [1]

Notes:
The main source for this provenance is the object record card in the Collections Records object file (1964.112).

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1984.

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FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 1964.112.A-B.FA
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General Description
 
Louise Nevelson is best known for her wooden works composed of collected urban debris. Influenced by Marcel Duchamp’s found object sculptures, which incorporated everyday materials such as sinks and bicycle wheels, Nevelson carefully arranged her found materials into compositions that evoke the sense of a shrine. She unified the different objects, such as dowels and spindles, by painting them in her trademark color, black, which transformed the individual tools from practical objects into an invitation to meditation. Although primarily a sculptor, Nevelson shared a similar formal focus with the abstract expressionist painters. Diminishing Reflections VIII (Left & Right) explores line, flatness, and scale through careful attention to the relationship between the unique forms of the left and right containers.

Excerpt from
DMA label copy, 2014.

Fun Facts

Archival Resources

Web Resources
 

Notes
Exhibition: The Museum is History, 2014
Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1964: Louise Nevelson (1899-1988)

1964: Dallas Museum of Fine Arts, purchased from Pace Gallery, New York [1]

Notes:
The main source for this provenance is the object record card in the Collections Records object file (1964.112).

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1984.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1964.112.A-B.FA
tags
#draft
#completed
sculpture: AAT: 300047090
%Archived
lines (geometric concept): AAT: 300056279
@Bilal-Gore
*Contemporary Art
scale (relative size): AAT: 300056307
Nevelson_Louise: ULAN: 500001621
black (color): AAT: 300130920
found objects: AAT: 300047210
Duchamp_Marcel: ULAN: 500115393
dowels: AAT: 300014634
left: AAT: 300078785
found object sculpture: AAT: 300186923
right: AAT: 300078823
spindles: AAT: 300040400
source file
object_notes_4_c-0101.xml.nores