GENERAL DESCRIPTION
From the highest point of the rugged mountain pass overlooking Suruga Bay, a snow-covered Mt. Fuji rises in the distance. In Japanese Inn (1961), a history of the Minaguchiya, a 400-year-old inn on the Tōkaidō, Oliver Statler describes the view from the Satta pass in the following way:
At the highest point of the pass, where the path breaks out of the pines and into the open, there is a breathtaking view, and anyone who finds himself there must turn to drink it in. He faces the great sweep of Suruga Bay and the open Pacific beyond, while waves break into flowers on the rocks far beneath his feet. Yui lies on the shore at his left and Okitsu at his right. Beyond Yui, bathed in mist far off on the left, looms the mountainous coast of Izu.
Adapted from
Anna McFarland, Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, Label text, 1986.
NOTES
TMS Updates-
English title updated as above
Japanese Title:由井 (薩垂嶺)
Inscriptions:
東海道五十三次之内 (Tokaido Gojyusan Tsugi no Uchi), the title of series appears at top right of print.
由井 (Yui) appears next to the title in black, below which in red is 薩垂嶺 (Satta ridge/peak).
由井 (Yui) appears next to the title in black, below which in red is 薩垂嶺 (Satta ridge/peak).
Exhibitions pending: Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, DMA, 1986
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
1984.202.1-55
PROVENANCE
By at least 1908-1937: Frank Lloyd Wright [1]
1937-1984: Mr. and Mrs. Stanley Marcus, Dallas [2]
1984: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [3]
[1] The collection was exhibited at The Art Institute of Chicago in 1908. See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.
[2] See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.
[3] See copy of Deed of Gift, dated 28 December 1984, in Collections Records object file.
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General Description
From the highest point of the rugged mountain pass overlooking Suruga Bay, a snow-covered Mt. Fuji rises in the distance. In Japanese Inn (1961), a history of the Minaguchiya, a 400-year-old inn on the Tōkaidō, Oliver Statler describes the view from the Satta pass in the following way:
At the highest point of the pass, where the path breaks out of the pines and into the open, there is a breathtaking view, and anyone who finds himself there must turn to drink it in. He faces the great sweep of Suruga Bay and the open Pacific beyond, while waves break into flowers on the rocks far beneath his feet. Yui lies on the shore at his left and Okitsu at his right. Beyond Yui, bathed in mist far off on the left, looms the mountainous coast of Izu.
Adapted from
Anna McFarland, Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, Label text, 1986.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates-
English title updated as above
Japanese Title:由井 (薩垂嶺)
Inscriptions:
東海道五十三次之内 (Tokaido Gojyusan Tsugi no Uchi), the title of series appears at top right of print.
由井 (Yui) appears next to the title in black, below which in red is 薩垂嶺 (Satta ridge/peak).
由井 (Yui) appears next to the title in black, below which in red is 薩垂嶺 (Satta ridge/peak).
Exhibitions pending: Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, DMA, 1986
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
1984.202.1-55
PROVENANCE
By at least 1908-1937: Frank Lloyd Wright [1]
1937-1984: Mr. and Mrs. Stanley Marcus, Dallas [2]
1984: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [3]
[1] The collection was exhibited at The Art Institute of Chicago in 1908. See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.
[2] See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.
[3] See copy of Deed of Gift, dated 28 December 1984, in Collections Records object file.
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