1984.202.5 Hodogaya: Shinmachi Bridge


GENERAL DESCRIPTION    
Among the travelers crossing the Shinmachi Bridge to Hodogaya in this peaceful rural scene is a komusō, a mendicant monk of the Fuke sect of Zen Buddhism, identifiable by the braided hat which covers his entire head. During the Edo period (1603-1868), komusō roamed the countryside playing the shakuhachi, a long vertical flute, and begging for alms.

Excerpt from
Anna McFarland, Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, Label text, 1986.

NOTES
TMS Updates-
English title updated as above

Japanese Title: 保土ヶ谷 (新町橋)

Inscriptions:
東海道五十三次之内 (Tōkaidō Gojūsan Tsugi no Uchi ), the title of series appears at top center of print.

保土ヶ谷 (Hodogaya) appears next to the title in black, next to which in red is  新町橋 (Shinmachi Bridge).

The final 'o' of komuso needs a macron. The alt codes for Japanese accents do not work in Evernote.

Exhibitions pending: Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, DMA, 1986

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 
1984.202.1-55

PROVENANCE
By at least 1908-1937: Frank Lloyd Wright [1]

1937-1984: Mr. and Mrs. Stanley Marcus, Dallas [2]

1984: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [3]

[1] The collection was exhibited at The Art Institute of Chicago in 1908. See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.

[2] See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.

[3] See copy of Deed of Gift, dated 28 December 1984, in Collections Records object file.

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General Description
   
Among the travelers crossing the Shinmachi Bridge to Hodogaya in this peaceful rural scene is a komusō, a mendicant monk of the Fuke sect of Zen Buddhism, identifiable by the braided hat which covers his entire head. During the Edo period (1603-1868), komusō roamed the countryside playing the shakuhachi, a long vertical flute, and begging for alms.

Excerpt from
Anna McFarland, Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, Label text, 1986.

Fun Facts

Archival Resources

Web Resources
 

Notes
TMS Updates-
English title updated as above

Japanese Title: 保土ヶ谷 (新町橋)

Inscriptions:
東海道五十三次之内 (Tōkaidō Gojūsan Tsugi no Uchi ), the title of series appears at top center of print.

保土ヶ谷 (Hodogaya) appears next to the title in black, next to which in red is  新町橋 (Shinmachi Bridge).

The final 'o' of komuso needs a macron. The alt codes for Japanese accents do not work in Evernote.

Exhibitions pending: Ichiryusai Hiroshige: The Fifty-Three Stages of the Tokaido, DMA, 1986

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 
1984.202.1-55

PROVENANCE
By at least 1908-1937: Frank Lloyd Wright [1]

1937-1984: Mr. and Mrs. Stanley Marcus, Dallas [2]

1984: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [3]

[1] The collection was exhibited at The Art Institute of Chicago in 1908. See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.

[2] See "Frank Lloyd Wright and the Japanese Print" in Collections Records object file.

[3] See copy of Deed of Gift, dated 28 December 1984, in Collections Records object file.

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*Arts of Asia
landscapes (representations): AAT: 300015636
travel: AAT: 300080094
Japan (nation): TGN: 1000120
alms: AAT: 300400538
bridges (built works): AAT: 300004829
flutes (aerophones / instrument): AAT: 300042513
monks: AAT: 300025765
Zen (Japanese Buddhism): AAT: 300022006
Edo: AAT: 300106643
Ukiyo-e: AAT: 300106769
travelers: AAT: 300025879
Hiroshige_Andō: ULAN: 500019641
routes: AAT: 300265365
post stations: AAT: 300007827
shakuhachi: AAT: 300212910
beggars: AAT: 300188618
Hodogaya (neighborhood): TGN: 1004678
source file
object_notes_4_c-0040.xml.nores