GENERAL DESCRIPTION
In this image of a mother teaching her daughter to read, Mary Cassatt contrasts the curving, fully modeled forms of the intensely absorbed figures with the flatness of the background. As was the case with all of her work, Cassatt entwines her figures both compositionally and emotionally, done here on a large scale in oil rather than in the medium of pastel with which she is often associated. Sara, the young blonde girl in this painting, was reportedly the daughter of a former president of the French Republic, and a frequent model for the artist at this time. At least forty-three drawings, oils, and pastels feature her.
Excerpt from
William Keyse Rudolph, DMA Label text, 2007.
NOTES
Added geographies to constituent record. (See object draft for Cassatt, Sleepy Baby, 1952.38.M)
I am submitting this online content, despite it being mostly incomplete, because I reviewed and tagged the object in the process of working on other works in the gallery. It is not part of our permanent collection and therefore is not covered under the current online collection policy.
Because the object number will change if this object is ever exloaned or accessioned, I am not using the following rule: Apply to objects with number equals 57.2006.1. I am rewriting the rule to rely on the ObjectID because this is the constant identifier for the TMS record.
Because this object is on loan, I do not have permissions to edit the TMS record. The following catalogue (available digitally through DMA's Piction database or the Portal to Texas History) contains an object description, provenance, exhibition history, and bibliography for this work.
Steven A. Nash, Dallas Collects American Paintings: Colonial to Early Modern (exhibition catalogue, Dallas, TX: Dallas Museum of Fine Arts, 1982)), page 100, cat. no 38.
Exhibition ID: 11327
Catalogue- 12712713: UMO
I added the object number to the above exhibition catalogue in Piction.
Source: William Keyse Rudolph, DMA Label copy (57.2006.1), November 2007.
Catalogue essays
Artist/designers
Cultures
Geography
made- Le Mesnil-Theribus
Process/materials
oil paint
canvas
Historical periods
Individuals
Subject terms
mothers
daughters
children
figures
sitting
dresses
interior spaces
hairstyles
profile
reading
orange
purple
hands
models
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
Mary Cassatt: A Woman's World (Antiques & Fine Art)~Read William H. Gerdts' informative review of the 2008 exhibition, Mary Cassatt: Prints and Drawings from the Collections of Ambroise Vollard (2008, Adelson Galleries, New York, NY).
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects with id equals 5328610
Category
rules_operator
AND
General Description
In this image of a mother teaching her daughter to read, Mary Cassatt contrasts the curving, fully modeled forms of the intensely absorbed figures with the flatness of the background. As was the case with all of her work, Cassatt entwines her figures both compositionally and emotionally, done here on a large scale in oil rather than in the medium of pastel with which she is often associated. Sara, the young blonde girl in this painting, was reportedly the daughter of a former president of the French Republic, and a frequent model for the artist at this time. At least forty-three drawings, oils, and pastels feature her.
Excerpt from
William Keyse Rudolph, DMA Label text, 2007.
Fun Facts
Archival Resources
Web Resources
Mary Cassatt: A Woman's World (Antiques & Fine Art)~Read William H. Gerdts' informative review of the 2008 exhibition, Mary Cassatt: Prints and Drawings from the Collections of Ambroise Vollard (2008, Adelson Galleries, New York, NY).
Notes
Added geographies to constituent record. (See object draft for Cassatt, Sleepy Baby, 1952.38.M)
I am submitting this online content, despite it being mostly incomplete, because I reviewed and tagged the object in the process of working on other works in the gallery. It is not part of our permanent collection and therefore is not covered under the current online collection policy.
Because the object number will change if this object is ever exloaned or accessioned, I am not using the following rule: Apply to objects with number equals 57.2006.1. I am rewriting the rule to rely on the ObjectID because this is the constant identifier for the TMS record.
Because this object is on loan, I do not have permissions to edit the TMS record. The following catalogue (available digitally through DMA's Piction database or the Portal to Texas History) contains an object description, provenance, exhibition history, and bibliography for this work.
Steven A. Nash, Dallas Collects American Paintings: Colonial to Early Modern (exhibition catalogue, Dallas, TX: Dallas Museum of Fine Arts, 1982)), page 100, cat. no 38.
Exhibition ID: 11327
Catalogue- 12712713: UMO
I added the object number to the above exhibition catalogue in Piction.
Source: William Keyse Rudolph, DMA Label copy (57.2006.1), November 2007.
Catalogue essays
Artist/designers
Cultures
Geography
made- Le Mesnil-Theribus
Process/materials
oil paint
canvas
Historical periods
Individuals
Subject terms
mothers
daughters
children
figures
sitting
dresses
interior spaces
hairstyles
profile
reading
orange
purple
hands
models
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
source file
object_notes_4_c-0006.xml.nores