1995.148.a-c, Ettore Sottsass, Jr., Carlton room divider, designed 1981


GENERAL DESCRIPTION  
The totemic Carlton room divider is an outstanding example of the work of Ettore Sottsass, the defacto leader of the Memphis Group, a Milan-based collective of furniture and product designers whose work rose to prominence in the 1980s. The overall form reveals a seemingly random interplay of lines and shapes suggestive of avant-garde sculpture, although the divider is composed of an entirely logical structural system of real and implied equilateral triangles.  By dismissing lavish materials and craft in creating strikingly unconventional yet fashionable objects, Sottsass effectively reassessed the definition of both modernity and "good taste" with his nonconformist designs. This is one of the most iconic pieces from the Memphis group, with a jagged shape and clashing colors in quotidian materials, a blatant rejection of conventional forms and dictates of "good taste,"- it embodies Postmodern furniture design.

Excerpt from
Bonnie Pitman, ed. Dallas Museum of Art: A Guide to the Collection. (New Haven and London: Yale University Press, 2012), 350.

NOTES 

Catalogue essays

Artist/designers 

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1995:  Urban Architecture, Detroit, Michigan [1]

From 1995: Dallas Museum of Art, acquired from above

[1] See check in Collections Records Object File (1995.148.A-C)

AUDIO ASSETS 
13310560: UMO. Listen to a gallery talk in Form/Unformed given by Kevin W. Tucker, Curator of Decorative Arts and Design.

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
Metropolitan Museum of Art~See another Carlton room divider on the Heilbrunn Timeline of Art History.

ARCHIVAL RESOURCES

FUN FACTS
  • This object is so heavy that correspondence related to the acquisition of this object notes it is, "very, very, very heavy - need 4 people to move."
  • Of his work Sottsass, Jr. said, "I don't understand why enduring design is better than disappearing design. I must admit that for me obsolescence is just the sugar of life."

TEACHING IDEAS

RULES
Apply to objects where number equals 1995.148.a-c
Category
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General Description
 
The totemic Carlton room divider is an outstanding example of the work of Ettore Sottsass, the defacto leader of the Memphis Group, a Milan-based collective of furniture and product designers whose work rose to prominence in the 1980s. The overall form reveals a seemingly random interplay of lines and shapes suggestive of avant-garde sculpture, although the divider is composed of an entirely logical structural system of real and implied equilateral triangles.  By dismissing lavish materials and craft in creating strikingly unconventional yet fashionable objects, Sottsass effectively reassessed the definition of both modernity and "good taste" with his nonconformist designs. This is one of the most iconic pieces from the Memphis group, with a jagged shape and clashing colors in quotidian materials, a blatant rejection of conventional forms and dictates of "good taste,"- it embodies Postmodern furniture design.

Excerpt from
Bonnie Pitman, ed. Dallas Museum of Art: A Guide to the Collection. (New Haven and London: Yale University Press, 2012), 350.

Fun Facts
  • This object is so heavy that correspondence related to the acquisition of this object notes it is, "very, very, very heavy - need 4 people to move."
  • Of his work Sottsass, Jr. said, "I don't understand why enduring design is better than disappearing design. I must admit that for me obsolescence is just the sugar of life."

Archival Resources

Web Resources
 
Metropolitan Museum of Art~See another Carlton room divider on the Heilbrunn Timeline of Art History.

Notes
 

Catalogue essays

Artist/designers 

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1995:  Urban Architecture, Detroit, Michigan [1]

From 1995: Dallas Museum of Art, acquired from above

[1] See check in Collections Records Object File (1995.148.A-C)

AUDIO ASSETS 
13310560: UMO. Listen to a gallery talk in Form/Unformed given by Kevin W. Tucker, Curator of Decorative Arts and Design.

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1995.148.a-c
tags
#draft
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%copyedited_Gail
@Bowling
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.TeachingIdeas
lines (geometric concept): AAT: 300056279
*Decorative Arts and Design
wood (plant material): AAT: 300011914
plastic (material): AAT: 300014570
Italy (nation): TGN: 1000080
triangles (polygons): AAT: 300009806
geometric shape: AAT: 300263819
Milan (Italy): TGN: 7005903
postmodern (international style and movement): AAT: 300022208
Memphis Group: AAT: 500125093
13310560: UMO
source file
object_notes_4_c-0003.xml.nores