GENERAL DESCRIPTION
This textile band reflects the interaction of the highland Huari (Wari) and coastal Moche along the north-central coast. Typical of coastal production, the band was woven with dyed camelid fiber over cotton warps with slit tapestry weave. This discontinuous weave is clearly visible in the openwork panels and through the shifting colors. The technique afforded reduced consumption of precious camelid fiber, and it permitted a lighter weight fabric in the temperate zones. The imagery reflects coastal motifs, such as the warrior with crescent-shaped knife, stylized wave motifs, catfish heads, and seabirds from the north coast.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text [1978.2.McD; 1991.377; 1991.378], 2015.
NOTES
- Moche-Huari (Wari), Middle Horizon, 750-950; updated by KJones in TMS on 10/15/13, 06/01/15, 01/05/16, and 02/05/16.
- Updated geography in TMS to reflect Inca label -- PerĂº: north-central coast.
Catalogue essays
- McDermott Art Fund
- A Conversation with Margaret McDermott, by Dorothy Kosinski (2003)
- Textiles at the Dallas Museum of Art
- Textile Production in the Andes
- Andean Orthography
Artist/designers
Cultures
Moche: AAT: 300017287
Wari (Huari): AAT: 300017283
Geography
Moche (river): TGN: 7016595
Wari (Huari): TGN: 1024536
Peru (nation): TGN: 1000056
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
cotton (fiber): AAT: 300183670
weaving: AAT: 300053642
warp: AAT: 300227930
weft: AAT: 300227934
tapestry (process): AAT: 300061981
slit tapestry (process): AAT: 300228522
Historical periods
Middle Horizon Period: AAT: 300017300
Individuals
Subject terms
bands (decorative): DMA
borders: AAT: 300010252
red (color): AAT: 300126225
blue (color): AAT: 300129361
yellow (color): AAT: 300127794
black (color): AAT: 300130920
white (color): AAT: 300129784
geometric motifs: AAT: 300009764
lines (geometric concept): AAT: 300056279
squares (geometric figures): AAT: 300055637
step pattern: AAT: 300010229
stepped frets (meanders (patterns)/motifs): AAT: 300010171
figures (representations): AAT: 300189808
profiles (figures): AAT: 300123319
warrior: AAT: 300261945
crescent (motif): AAT: 300165510
knives: AAT: 300024668
wave pattern: AAT: 300009936
fish (animals): AAT: 300266085
catfish (Siluriformes order): AAT: 300254559
birds (animals): AAT: 300266506
RELATED OBJECTS
PROVENANCE
From 1978: Dallas Museum of Fine Arts, The Eugene and Margaret McDermott Art Fund, Inc. [1], [2], [3]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
[3] Works of art given or purchased by The Eugene and Margaret McDermott Art Fund, Inc., a non-profit organization, are placed in the custody of the DMA for the purpose of public display on the premises of the Museum or in other recognized art galleries or museum. The title to all works of art purchased (or otherwise acquired) by the McDermott Art Fund remains with the Fund.
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VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
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Apply to objects where number equals 1978.2.McD
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General Description
This textile band reflects the interaction of the highland Huari (Wari) and coastal Moche along the north-central coast. Typical of coastal production, the band was woven with dyed camelid fiber over cotton warps with slit tapestry weave. This discontinuous weave is clearly visible in the openwork panels and through the shifting colors. The technique afforded reduced consumption of precious camelid fiber, and it permitted a lighter weight fabric in the temperate zones. The imagery reflects coastal motifs, such as the warrior with crescent-shaped knife, stylized wave motifs, catfish heads, and seabirds from the north coast.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text [1978.2.McD; 1991.377; 1991.378], 2015.
Fun Facts
Archival Resources
Web Resources
Notes
- Moche-Huari (Wari), Middle Horizon, 750-950; updated by KJones in TMS on 10/15/13, 06/01/15, 01/05/16, and 02/05/16.
- Updated geography in TMS to reflect Inca label -- PerĂº: north-central coast.
Catalogue essays
- McDermott Art Fund
- A Conversation with Margaret McDermott, by Dorothy Kosinski (2003)
- Textiles at the Dallas Museum of Art
- Textile Production in the Andes
- Andean Orthography
Artist/designers
Cultures
Moche: AAT: 300017287
Wari (Huari): AAT: 300017283
Geography
Moche (river): TGN: 7016595
Wari (Huari): TGN: 1024536
Peru (nation): TGN: 1000056
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
cotton (fiber): AAT: 300183670
weaving: AAT: 300053642
warp: AAT: 300227930
weft: AAT: 300227934
tapestry (process): AAT: 300061981
slit tapestry (process): AAT: 300228522
Historical periods
Middle Horizon Period: AAT: 300017300
Individuals
Subject terms
bands (decorative): DMA
borders: AAT: 300010252
red (color): AAT: 300126225
blue (color): AAT: 300129361
yellow (color): AAT: 300127794
black (color): AAT: 300130920
white (color): AAT: 300129784
geometric motifs: AAT: 300009764
lines (geometric concept): AAT: 300056279
squares (geometric figures): AAT: 300055637
step pattern: AAT: 300010229
stepped frets (meanders (patterns)/motifs): AAT: 300010171
figures (representations): AAT: 300189808
profiles (figures): AAT: 300123319
warrior: AAT: 300261945
crescent (motif): AAT: 300165510
knives: AAT: 300024668
wave pattern: AAT: 300009936
fish (animals): AAT: 300266085
catfish (Siluriformes order): AAT: 300254559
birds (animals): AAT: 300266506
RELATED OBJECTS
PROVENANCE
From 1978: Dallas Museum of Fine Arts, The Eugene and Margaret McDermott Art Fund, Inc. [1], [2], [3]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
[3] Works of art given or purchased by The Eugene and Margaret McDermott Art Fund, Inc., a non-profit organization, are placed in the custody of the DMA for the purpose of public display on the premises of the Museum or in other recognized art galleries or museum. The title to all works of art purchased (or otherwise acquired) by the McDermott Art Fund remains with the Fund.
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object_notes_4_b-0139.xml.nores