1985.R.605, Chest, 17th century



GENERAL DESCRIPTION
This chest was purchased by the Reveses in Madrid, where it is believed to have been made. Although its precise origin is uncertain, the sophisticated use of exotic imported woods suggests an Iberian provenance. Following the exploration of Central America by the Spanish in the 1490s and of the east coast of Africa and Brazil by the Portuguese in the first decade of the 16th century, exotic materials like ebony, rosewood, and ivory became increasingly available to Iberian woodworkers. Because of restrictive trading laws, Spanish and Portuguese craftsmen were able to make objects from such luxurious materials before the rest of their continental counterparts. However, because the Habsburg Empire controlled much of the Low Countries as well as Spain and Portugal between the 1580s and 1713, cabinetmakers in centers like Antwerp were soon able to work in these materials. And as trade in colonial raw materials widened, workers throughout Europe eventually had access to exotic woods and animal products.

Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 52.

NOTES
Changed provenance to comply with Guidelines and Procedures for Provenance display in TMS
Updated Display/Search dates
Updated Geo Xref to Spain

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PROVENANCE 
Until 1970: Eutiquiano Garcia, S.A. Antiguedades, Madrid, Spain [1]

1970: Emery Reves (1904-1983) purchased from Eutiquiano Garcia, S.A. Antiguedades , Madrid, Spain, December 7, 1970 [1]

1970-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [2]

[1] According to the following document found in the DMA object file: a copy of an invoice from Eutiquiano Garcia, S.A. Antiguedades addressed to Emery Reves (December 7, 1970)

[2] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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General Description
This chest was purchased by the Reveses in Madrid, where it is believed to have been made. Although its precise origin is uncertain, the sophisticated use of exotic imported woods suggests an Iberian provenance. Following the exploration of Central America by the Spanish in the 1490s and of the east coast of Africa and Brazil by the Portuguese in the first decade of the 16th century, exotic materials like ebony, rosewood, and ivory became increasingly available to Iberian woodworkers. Because of restrictive trading laws, Spanish and Portuguese craftsmen were able to make objects from such luxurious materials before the rest of their continental counterparts. However, because the Habsburg Empire controlled much of the Low Countries as well as Spain and Portugal between the 1580s and 1713, cabinetmakers in centers like Antwerp were soon able to work in these materials. And as trade in colonial raw materials widened, workers throughout Europe eventually had access to exotic woods and animal products.

Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 52.

Fun Facts

Archival Resources

Web Resources
 

Notes
Changed provenance to comply with Guidelines and Procedures for Provenance display in TMS
Updated Display/Search dates
Updated Geo Xref to Spain

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1970: Eutiquiano Garcia, S.A. Antiguedades, Madrid, Spain [1]

1970: Emery Reves (1904-1983) purchased from Eutiquiano Garcia, S.A. Antiguedades , Madrid, Spain, December 7, 1970 [1]

1970-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [2]

[1] According to the following document found in the DMA object file: a copy of an invoice from Eutiquiano Garcia, S.A. Antiguedades addressed to Emery Reves (December 7, 1970)

[2] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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Objects
id
Equals
3144164
tags
ivory (material): AAT: 300011857
#draft
#completed
%copyedited_Gail
%Archived
inlays (decorations): AAT: 300256033
shell (animal material): AAT: 300011829
shell inlay (decorations): DMA
geometric patterns: AAT: 300165213
*Decorative Arts and Design
@bartsch-allen
furniture: AAT: 300037680
furnishings (Hierarchy Name): AAT: 300037335
storage containers: AAT: 300197582
wood (plant material): AAT: 300011914
chests (case furniture): AAT: 300038992
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
Spain (nation): TGN: 1000095
gilt: AAT: 300379350
ebony (wood): AAT: 300012055
woodworking: AAT: 300054083
rosewood (wood): 300012424
Iberian Peninsula: TGN: 7016676
Iberian: AAT: 300305500
source file
object_notes_4_b-0113.xml.nores