1985.R.325, Octagonal frame, 17th century



GENERAL DESCRIPTION  
The picture frame is now so ubiquitous that one forgets that, like all familiar forms, it was an invention. Although frames were originally conceived to protect the picture physically and enhance it aesthetically, their invention led gradually to the creation of a separate type of craft associated more often with furniture making than with the creation of pictures themselves.

Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 62.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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General Description
 
The picture frame is now so ubiquitous that one forgets that, like all familiar forms, it was an invention. Although frames were originally conceived to protect the picture physically and enhance it aesthetically, their invention led gradually to the creation of a separate type of craft associated more often with furniture making than with the creation of pictures themselves.

Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 62.

Fun Facts

Archival Resources

Web Resources
 

Notes
TMS Updates: 
- search dates
- Provenance
- Geography Xrefs - Place of Origin
- Bibliography

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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painting (visual works): AAT: 300033618
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
furnishings (Hierarchy Name): AAT: 300037335
wood (plant material): AAT: 300011914
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
frames (for object): AAT: 300189814
black (color): AAT: 300130920
octagonal (geometirc shape): AAT: 300263824
frames (furnishing): AAT: 300189814
Netherlands (nation): TGN: 7016845
ebonized wood: AAT: 300404849
source file
object_notes_4_b-0112.xml.nores