GENERAL DESCRIPTION
Eva Zeisel designed Tomorrow’s Classic around 1950, following the success of her Museum and Town and Country tableware lines. However, it languished until it finally found a champion in Charles Seliger of Commercial Decal, who was in search of a contemporary shape upon which his firm could place its decals. Hall China Company agreed to produce the line, and from 1951 to about 1960, Tomorrow’s Classic was available in various glazed and printed decorative schemes. Zeisel’s contract stipulated that she supply nine decal patterns initially and an additional three each following year. Some, such as Dawn and Arizona, were created by Seliger, while others, like Frost Flowers and Fantasy, were designed by Zeisel’s studio assistants or her students at the Pratt Institute.
Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 462.
NOTES
added tags - 10/6/17 JBA
added CCs - 9/14/17 (JBA)
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Artist/designers
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RELATED OBJECTS
PROVENANCE
Until 1995: Karen Silvermintz, Dallas, Texas [1]
From 1995: Dallas Museum of Art, purchased from the above [1]
[1] See Karen Silvermintz invoice (undated, copy in Collections Records Object File) and Dallas Museum of Art check (dated August 11, 1995, copy in Collections Record Object File).
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RULES
Apply to objects where number equals 1995.138.A-B
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General Description
Eva Zeisel designed Tomorrow’s Classic around 1950, following the success of her Museum and Town and Country tableware lines. However, it languished until it finally found a champion in Charles Seliger of Commercial Decal, who was in search of a contemporary shape upon which his firm could place its decals. Hall China Company agreed to produce the line, and from 1951 to about 1960, Tomorrow’s Classic was available in various glazed and printed decorative schemes. Zeisel’s contract stipulated that she supply nine decal patterns initially and an additional three each following year. Some, such as Dawn and Arizona, were created by Seliger, while others, like Frost Flowers and Fantasy, were designed by Zeisel’s studio assistants or her students at the Pratt Institute.
Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 462.
Fun Facts
Archival Resources
Web Resources
Notes
added tags - 10/6/17 JBA
added CCs - 9/14/17 (JBA)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1995: Karen Silvermintz, Dallas, Texas [1]
From 1995: Dallas Museum of Art, purchased from the above [1]
[1] See Karen Silvermintz invoice (undated, copy in Collections Records Object File) and Dallas Museum of Art check (dated August 11, 1995, copy in Collections Record Object File).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1995.138.A-B
source file
object_notes_4_b-0008.xml.nores