GENERAL DESCRIPTION
The woven willow strands of this chair are rubbed with pigment to provide a color intended to enliven interior decorating schemes. While considered rustic due to the raw material, Stickley advocated the use of light willow furniture not only for porches but for nearly every room of the home, as a companion to his heavier oak furnishings. While the influence of German and Austrian progressive design upon Stickley’s oak furniture was generally subtle, most of his modern willow furniture designs, including this chair, readily point to these sources. Stickley’s firm began producing willow furniture in 1904, but this uncataloged example was not published until 1913 when it was described as recent work “intended for some cozy fireside.”
Excerpt from
Kevin Tucker, Label text (2008.51), North Gallery, 2011.
NOTES
Added web resource - JBA 10/12/2017
Updated TMS - Added Text entry and Geo Xrefs - place of birth, death, business location, place of origin and manufactured in, and published references - JBA 10/12/12017
I updated Provenance
Catalogue essays
Artist/designers
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Geography
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Historical periods
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RELATED OBJECTS
PROVENANCE
Until 2008: Rago Arts and Auction Center, Lambertville, New Jersey [1]
From 2008: Dallas Museum of Art, purchased from the above at auction, "Craftsman Auction, September 27 and 28, 2008 [1]
[1] See Rago Arts and Auction invoice (dated September 30, 2008, copy in Collections Records Object File) and Dallas Museum of Art purchase order (dated October 17, 2008, copy in Collections Records Object File).
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This willow armchair was featured in the article "Comfort and Picturesqueness of Willow Furniture: Illustrated by Some New Craftsman Models," published on pages 95-98 of the October 1913 issue of The Craftsman. Read the article on the University of Wisconsin's Digital Library for the Decorative Arts and Material Culture.
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Apply to objects where number equals 2008.51
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General Description
The woven willow strands of this chair are rubbed with pigment to provide a color intended to enliven interior decorating schemes. While considered rustic due to the raw material, Stickley advocated the use of light willow furniture not only for porches but for nearly every room of the home, as a companion to his heavier oak furnishings. While the influence of German and Austrian progressive design upon Stickley’s oak furniture was generally subtle, most of his modern willow furniture designs, including this chair, readily point to these sources. Stickley’s firm began producing willow furniture in 1904, but this uncataloged example was not published until 1913 when it was described as recent work “intended for some cozy fireside.”
Excerpt from
Kevin Tucker, Label text (2008.51), North Gallery, 2011.
Fun Facts
Archival Resources
Web Resources
Notes
Added web resource - JBA 10/12/2017
Updated TMS - Added Text entry and Geo Xrefs - place of birth, death, business location, place of origin and manufactured in, and published references - JBA 10/12/12017
I updated Provenance
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2008: Rago Arts and Auction Center, Lambertville, New Jersey [1]
From 2008: Dallas Museum of Art, purchased from the above at auction, "Craftsman Auction, September 27 and 28, 2008 [1]
[1] See Rago Arts and Auction invoice (dated September 30, 2008, copy in Collections Records Object File) and Dallas Museum of Art purchase order (dated October 17, 2008, copy in Collections Records Object File).
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2008.51
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