GENERAL DESCRIPTION
On ceremonial occasions, a Pende chief carried an adze—like this one—over his shoulder. It is not an ordinary tool used to sculpt wood but an ornate version of the conventional model. This ceremonial adze features a head carved at the top of the handle.
Imported European brass upholstery tacks, considered luxury goods and kept to a high shine, adorn the figure’s head or skullcap. Both the hairstyle and scarification marks on the cheeks are found on Pende masks with visual references to both leadership and hunting, which is an important activity displaying bravery and skill. A very long iron blade issues from the figure’s mouth. At the back on the handle, a female bust carved in full relief is positioned upside down. When viewed in profile, the small skull-like head appears to be an exaggerated depiction of the head at the top of the adze.
Drawn from
- Roslyn A. Walker, PhD, Label text, 2015.
- Roslyn A. Walker,"Ceremonial adze with head and torso," in The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 84.
NOTES
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PROVENANCE
n.d.: Stillman Collection, New York
1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott, purchased from above [1]
Notes:
The main source for this provenance is the object record card in the Collections Records object file.
[1] The name of the Dallas Museum of Fine Art, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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Apply to objects where number equals 1969.S.168
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General Description
On ceremonial occasions, a Pende chief carried an adze—like this one—over his shoulder. It is not an ordinary tool used to sculpt wood but an ornate version of the conventional model. This ceremonial adze features a head carved at the top of the handle.
Imported European brass upholstery tacks, considered luxury goods and kept to a high shine, adorn the figure’s head or skullcap. Both the hairstyle and scarification marks on the cheeks are found on Pende masks with visual references to both leadership and hunting, which is an important activity displaying bravery and skill. A very long iron blade issues from the figure’s mouth. At the back on the handle, a female bust carved in full relief is positioned upside down. When viewed in profile, the small skull-like head appears to be an exaggerated depiction of the head at the top of the adze.
Drawn from
- Roslyn A. Walker, PhD, Label text, 2015.
- Roslyn A. Walker,"Ceremonial adze with head and torso," in The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 84.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Stillman Collection, New York
1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott, purchased from above [1]
Notes:
The main source for this provenance is the object record card in the Collections Records object file.
[1] The name of the Dallas Museum of Fine Art, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
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1969.S.168
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object_notes_4_a-0354.xml.nores