1998.201 Ngoin helmet crest


GENERAL DESCRIPTION
Ngoin represents a royal female spirit and serves as a generic symbol of womanhood. It dances with Kam, the "leader" mask, whose wearer leades other maskers in and out of the performance area and dictates the mask steps. These masks are part of an ensemble of twenty or more masks of different characters that are worn during funeral celebrations for high-ranking elders and in the contexts of social control and law enforcement. The mask fits snugly on top of the dancer's head and is worn with a costume of blue-and-white resist-dyed royal cloth. The dancer's face is concealed under a fitted hood.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES
Exhibition - African masks the art of disguise

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
1998: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas

Notes:
The main source for this provenance is the invoice dated May 30, 1998, in the Collections Records object file (1998.201).

AUDIO ASSETS

VIDEO ASSETS
Blasius Ngwa discusses performing traditional masquerades in the United States; related to DMA collection, Helmet mask (Ngoin), 1998.201; includes footage of the BMCA, Bafut Manjong Cultural Association dance group; 12934935: UMO

IMAGE ASSETS
Photograph by Hans-Joachim Koloss. From Iris Hahner, Maria Kecskési, and László Vajda, African Masks: The Barbier-Mueller Collection (Munich: Prestel, 2007), 62.

213642459: UMO

WEB RESOURCES

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1998.201

Category
rules_operator
AND
General Description
Ngoin represents a royal female spirit and serves as a generic symbol of womanhood. It dances with Kam, the "leader" mask, whose wearer leades other maskers in and out of the performance area and dictates the mask steps. These masks are part of an ensemble of twenty or more masks of different characters that are worn during funeral celebrations for high-ranking elders and in the contexts of social control and law enforcement. The mask fits snugly on top of the dancer's head and is worn with a costume of blue-and-white resist-dyed royal cloth. The dancer's face is concealed under a fitted hood.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources

Notes
Exhibition - African masks the art of disguise

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
1998: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas

Notes:
The main source for this provenance is the invoice dated May 30, 1998, in the Collections Records object file (1998.201).

AUDIO ASSETS

VIDEO ASSETS
Blasius Ngwa discusses performing traditional masquerades in the United States; related to DMA collection, Helmet mask (Ngoin), 1998.201; includes footage of the BMCA, Bafut Manjong Cultural Association dance group; 12934935: UMO

rules
Apply To
Objects
number
Equals
1998.201
tags
#draft
#completed
%copyedited_Gail
female: AAT: 300189557
%Archived
masks (costume): AAT: 300138758
faces (animal or human components): AAT: 300251798
@Bilal-Gore
royalty (nobility): AAT: 300188750
wood (plant material): AAT: 300011914
*Arts of Africa
pigment: AAT: 300013109
spirit: AAT: 300379007
funerals: AAT: 300069162
masquerades: AAT: 300254016
dancer: AAT: 300025653
performances (entertainment events): AAT: 300069200
Cameroon (nation): TGN: 1000153
Bamum: AAT: 300100484
12934935: UMO
213642459: UMO
Babanki Tungo: TGN: 7032953
source file
object_notes_4_a-0349.xml.nores