GENERAL DESCRIPTION
Ngoin represents a royal female spirit and serves as a generic symbol of womanhood. It dances with Kam, the "leader" mask, whose wearer leades other maskers in and out of the performance area and dictates the mask steps. These masks are part of an ensemble of twenty or more masks of different characters that are worn during funeral celebrations for high-ranking elders and in the contexts of social control and law enforcement. The mask fits snugly on top of the dancer's head and is worn with a costume of blue-and-white resist-dyed royal cloth. The dancer's face is concealed under a fitted hood.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
NOTES
Exhibition - African masks the art of disguise
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1998: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas
Notes:
The main source for this provenance is the invoice dated May 30, 1998, in the Collections Records object file (1998.201).
AUDIO ASSETS
VIDEO ASSETS
Blasius Ngwa discusses performing traditional masquerades in the United States; related to DMA collection, Helmet mask (Ngoin), 1998.201; includes footage of the BMCA, Bafut Manjong Cultural Association dance group; 12934935: UMO
IMAGE ASSETS
Photograph by Hans-Joachim Koloss. From Iris Hahner, Maria Kecskési, and László Vajda, African Masks: The Barbier-Mueller Collection (Munich: Prestel, 2007), 62.
213642459: UMO
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1998.201
Category
rules_operator
AND
General Description
Ngoin represents a royal female spirit and serves as a generic symbol of womanhood. It dances with Kam, the "leader" mask, whose wearer leades other maskers in and out of the performance area and dictates the mask steps. These masks are part of an ensemble of twenty or more masks of different characters that are worn during funeral celebrations for high-ranking elders and in the contexts of social control and law enforcement. The mask fits snugly on top of the dancer's head and is worn with a costume of blue-and-white resist-dyed royal cloth. The dancer's face is concealed under a fitted hood.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
Exhibition - African masks the art of disguise
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1998: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas
Notes:
The main source for this provenance is the invoice dated May 30, 1998, in the Collections Records object file (1998.201).
AUDIO ASSETS
VIDEO ASSETS
Blasius Ngwa discusses performing traditional masquerades in the United States; related to DMA collection, Helmet mask (Ngoin), 1998.201; includes footage of the BMCA, Bafut Manjong Cultural Association dance group; 12934935: UMO
rules
Apply To
Objects
number
Equals
1998.201
source file
object_notes_4_a-0349.xml.nores