GENERAL DESCRIPTION
The central figure on the ivory pendant is the oba (king) of the Benin Kingdom, distinguished by his central placement, his slightly larger size, and the ornament—called the Bead of Kingship—on his chest. The oba is supported by two similarly dressed high-ranking court officials, reminding all that the king cannot stand alone but must maintain a balance between his authority over the Edo people and their willingness to be ruled by him. The oba stands on the head of the sea god Olokun, from whose nostrils mudfish flow. The sea, symbolic of overseas trade, was the source of Benin’s wealth and well-being. Such pendants were worn at the waist by the oba and selected officials.
Despite its heavier weight, the similar cast metal pendant was also worn at the waist. The various emblems worn by Benin officials were designed to test the wearer’s physical and psychic strength, so the heavy metal would have been an asset. Originally, there were round crotal bells on chains attached to the small loops around the edges of the pendant.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
NOTES
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PROVENANCE
1897: British Government, collected Benin City, Nigeria, during British Punitive Expedition of 1897
Around 1941-1963: Carlebach Galleries, Inc. (Julius Carlebach), New York
1963-2007: Dr. Jay T. Last , Beverly Hills, California [1]
2007-2014: Mace Collection, Springfield, Missouri
2014: Shango Galleries (John Buxton), Dallas, Texas, on consignment from above
2014: Dallas Museum of Art, purchased from above [2]
Notes:
The main source for this provenance is the Provenance Chart attached to the Worksheet for Acquisitions of Archaeological Materials and Ancient Art in the Collections Records object file (2015.3). Exceptions and other supporting documents are noted.
[1] Personal communication, Dr. Roslyn A. Walker, Senior Curator of the Arts of Africa, the Americas, and the Pacific and The Margaret McDermott Curator of African Art, August 26, 2014.
[2] See the copy of the Guarantee and Indemity document in the Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
188988023: UMO
WEB RESOURCES
BBC: A History of the World in 100 Objects~Learn more about the oba and Benin plaques.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2015.3
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General Description
The central figure on the ivory pendant is the oba (king) of the Benin Kingdom, distinguished by his central placement, his slightly larger size, and the ornament—called the Bead of Kingship—on his chest. The oba is supported by two similarly dressed high-ranking court officials, reminding all that the king cannot stand alone but must maintain a balance between his authority over the Edo people and their willingness to be ruled by him. The oba stands on the head of the sea god Olokun, from whose nostrils mudfish flow. The sea, symbolic of overseas trade, was the source of Benin’s wealth and well-being. Such pendants were worn at the waist by the oba and selected officials.
Despite its heavier weight, the similar cast metal pendant was also worn at the waist. The various emblems worn by Benin officials were designed to test the wearer’s physical and psychic strength, so the heavy metal would have been an asset. Originally, there were round crotal bells on chains attached to the small loops around the edges of the pendant.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1897: British Government, collected Benin City, Nigeria, during British Punitive Expedition of 1897
Around 1941-1963: Carlebach Galleries, Inc. (Julius Carlebach), New York
1963-2007: Dr. Jay T. Last , Beverly Hills, California [1]
2007-2014: Mace Collection, Springfield, Missouri
2014: Shango Galleries (John Buxton), Dallas, Texas, on consignment from above
2014: Dallas Museum of Art, purchased from above [2]
Notes:
The main source for this provenance is the Provenance Chart attached to the Worksheet for Acquisitions of Archaeological Materials and Ancient Art in the Collections Records object file (2015.3). Exceptions and other supporting documents are noted.
[1] Personal communication, Dr. Roslyn A. Walker, Senior Curator of the Arts of Africa, the Americas, and the Pacific and The Margaret McDermott Curator of African Art, August 26, 2014.
[2] See the copy of the Guarantee and Indemity document in the Collections Records object file.
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VIDEO ASSETS
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