2005.84 Ifa divination tray (opon Ifa)


GENERAL DESCRIPTION  
A diviner (babalawo) used this divination tray (opon Ifa) with the tapper (iroke Ifa, 1978.40) to facilitate communication with Orunmila, a deity through whom the Creator God speaks; however it is Eshu, the divine messenger who can cause uncertainty and misfortune in the world, who is portrayed on the tray. In three of the four cardinal points, his head is rendered with small hornlike forms to symbolize his generative powers. In the fourth, he is shown wearing a distinctive long-tail hairstyle and brandishing a club. In addition to images of Eshu, the artist carved a complex program of symbolic scenes that refer to Yoruba royalty, ritual, and traditional life.

Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

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PROVENANCE
n.d.: Bal Denes Collection, Evanston, Illinois

2005: Dallas Museum of Art, purchased from above through Crown Art (Deborah Stokes), Chicago, Illinois

The main source for this provenance is the invoice dated September 14, 2005, in the Collections Records object file (2005.84).

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Apply to objects where number equals 2005.84

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General Description
 
A diviner (babalawo) used this divination tray (opon Ifa) with the tapper (iroke Ifa, 1978.40) to facilitate communication with Orunmila, a deity through whom the Creator God speaks; however it is Eshu, the divine messenger who can cause uncertainty and misfortune in the world, who is portrayed on the tray. In three of the four cardinal points, his head is rendered with small hornlike forms to symbolize his generative powers. In the fourth, he is shown wearing a distinctive long-tail hairstyle and brandishing a club. In addition to images of Eshu, the artist carved a complex program of symbolic scenes that refer to Yoruba royalty, ritual, and traditional life.

Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 
Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
n.d.: Bal Denes Collection, Evanston, Illinois

2005: Dallas Museum of Art, purchased from above through Crown Art (Deborah Stokes), Chicago, Illinois

The main source for this provenance is the invoice dated September 14, 2005, in the Collections Records object file (2005.84).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2005.84
tags
#draft
#completed
%copyedited_Gail
%Archived
deities: AAT: 300343850
carving (processes): AAT: 300053149
ritual (events): AAT: 300065284
@Bilal-Gore
royalty (nobility): AAT: 300188750
wood (plant material): AAT: 300011914
*Arts of Africa
Nigeria (nation): TGN: 1000182
Yoruba: AAT: 300016031
ritual objects: AAT: 300312158
trays: AAT: 300043071
ancestors: AAT: 300255718
rope: AAT: 300014248
divination: AAT: 300207879
diviners: AAT: 300207878
divination objects: AAT: 300263039
source file
object_notes_4_a-0338.xml.nores