2011.1.2 Free man's cap (mpu)

Hundreds of years ago, knotted raffia skull caps with raised designs like this one were worn by free men in the Kongo kingdom. Kings wore a larger, more elaborate version, while slaves were denied the right to cover their heads. In addition to indicating social status, caps were believed to protect the wearer from harmful spirits.

European accounts of the Kongo kingdom indicate that cap makers were not only men but noblemen, for whom cap making was a fine art. By the 17th century, cap making had become a recognized craft and selling caps was a specialized trade. The large needles used to make the caps were fashioned from the ribs of imported umbrellas.

Roslyn A. Walker, African Headwear: Beyond Fashion, Label text, 2011.

Around 1996: Joel Cooner, purchased from Belgian or French colonial collection

2003: Reoch Collection, purchased from above

2011: Dallas Museum of Art, gift of Karen and John Reoch [1]

Notes:

The main source for this provenance is the Acquisition Proposal in the Collections Records object file (2011.1.2). Exceptions and other supporting documents are noted.

[1] See the copy of the Deed of Gift in the Collections Records object file (2011.1.2).

Apply to objects where number equals 2011.1.2