GENERAL DESCRIPTION
This lustrous black face mask probably played a role in Dan boys' puberty rites, which were conducted by the men's Poro society, which educated and socialized males. It is a support for a du (vital force or spirit). When a du decides it wants to participate in human society and help mankind, it appears to men in dreams and dictates the requirements for a mask to make it tangible. The dreamer, who will wear and perform the masquerade, commissions a sculptor to carve a mask out of wood. Masks have human or animal features that may be representational, stylized, or a fantastic combination of both—a "composite."
Each mask has a name and its own paraphernalia, costume, and headdress as well as unique behavior, choreography, and musical accompaniment. This mask probably represents Deangle, a female spirit with a small, oval face and narrow eyes. The spirit—embodied by the wearer—walks and gestures gracefully as she collects food from the villagers for the boys in the circumcision/initiation camp. The spirit also reports the news from the camp to the village and vice versa.
Adapted from
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 124-125.
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1940s-1970: Jean Paul Delcourt, France
From around 1970-1999: Private collection, Belgium
2005: Dallas Museum of Art, purchased from Merton D. Simpson Gallery, New York
The main source for this provenance is the Acquisition Proposal in the Collections Records object file (2005.45).
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2005.45
Category
rules_operator
AND
General Description
This lustrous black face mask probably played a role in Dan boys' puberty rites, which were conducted by the men's Poro society, which educated and socialized males. It is a support for a du (vital force or spirit). When a du decides it wants to participate in human society and help mankind, it appears to men in dreams and dictates the requirements for a mask to make it tangible. The dreamer, who will wear and perform the masquerade, commissions a sculptor to carve a mask out of wood. Masks have human or animal features that may be representational, stylized, or a fantastic combination of both—a "composite."
Each mask has a name and its own paraphernalia, costume, and headdress as well as unique behavior, choreography, and musical accompaniment. This mask probably represents Deangle, a female spirit with a small, oval face and narrow eyes. The spirit—embodied by the wearer—walks and gestures gracefully as she collects food from the villagers for the boys in the circumcision/initiation camp. The spirit also reports the news from the camp to the village and vice versa.
Adapted from
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 124-125.
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1940s-1970: Jean Paul Delcourt, France
From around 1970-1999: Private collection, Belgium
2005: Dallas Museum of Art, purchased from Merton D. Simpson Gallery, New York
The main source for this provenance is the Acquisition Proposal in the Collections Records object file (2005.45).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2005.45
source file
object_notes_4_a-0243.xml.nores