1969.S.72.A-B Knife box


GENERAL DESCRIPTION  
African women in traditional societies enhanced their natural beauty with scarification and cosmetic preparations. For example, they applied black kohl to their eyes, painted their faces and bodies with a reddish powder or paste, and moisturized their skin with shea butter. These and other cosmetic substances required containers for mixing and storage. Natural objects such as gourds and shells were available to all, but those who could afford to stored their containers in pots, boxes, and bowls artfully carved by sculptors.

Kuba sculptors carved boxes in a variety of shapes and decorated them with incised and low-relief motifs that had specific names that were probably symbolic. The boxes, which are entirely covered with these geometric and figurative motifs, were used to store cosmetics (square and half-moon boxes) and grooming implements (rectangular boxes).

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 236-237.

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1969.S.72.A-B

Category
rules_operator
AND
General Description
 
African women in traditional societies enhanced their natural beauty with scarification and cosmetic preparations. For example, they applied black kohl to their eyes, painted their faces and bodies with a reddish powder or paste, and moisturized their skin with shea butter. These and other cosmetic substances required containers for mixing and storage. Natural objects such as gourds and shells were available to all, but those who could afford to stored their containers in pots, boxes, and bowls artfully carved by sculptors.

Kuba sculptors carved boxes in a variety of shapes and decorated them with incised and low-relief motifs that had specific names that were probably symbolic. The boxes, which are entirely covered with these geometric and figurative motifs, were used to store cosmetics (square and half-moon boxes) and grooming implements (rectangular boxes).

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 236-237.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1969.S.72.A-B
tags
#draft
#completed
%copyedited_Gail
%Archived
knives: AAT: 300024668
@Bilal-Gore
storage containers: AAT: 300197582
wood (plant material): AAT: 300011914
*Arts of Africa
Democratic Republic of the Congo (nation): TGN: 1000159
boxes (containers): AAT: 300045643
Kuba: AAT: 300016310
source file
object_notes_4_a-0240.xml.nores