1969.S.99 Male figure standing on animal


GENERAL DESCRIPTION  
Hands on his hips , this male figure stands securely on the back of an animal. The precise meaning of this figure is unclear. It may allude to Mbidi Kiluwe, the culture hero, in the guise of the hunting spirit Luwe as he rides the lead animal of a herd toward the hunter's blind or pit trap. In the Luba epic, Mbidi Kiluwe is a foreign hunter and warrior from the east who introduced sacred kingship to the indigenous population that became the Luba. Among the peoples conquered by the Luba or who otherwise came under Luba influence, Mbidi Kiluwe is depicted riding on the back of a buffalo, an elephant, or antelope.  Such figures were enshrined and maintained by hunters who believed Luwe would ensure a successful hunt, thereby providing meat for the community. 

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 154-155.

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PROVENANCE 
n.d.: Gustave Dehondt, Brussels

n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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General Description
 
Hands on his hips , this male figure stands securely on the back of an animal. The precise meaning of this figure is unclear. It may allude to Mbidi Kiluwe, the culture hero, in the guise of the hunting spirit Luwe as he rides the lead animal of a herd toward the hunter's blind or pit trap. In the Luba epic, Mbidi Kiluwe is a foreign hunter and warrior from the east who introduced sacred kingship to the indigenous population that became the Luba. Among the peoples conquered by the Luba or who otherwise came under Luba influence, Mbidi Kiluwe is depicted riding on the back of a buffalo, an elephant, or antelope.  Such figures were enshrined and maintained by hunters who believed Luwe would ensure a successful hunt, thereby providing meat for the community. 

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 154-155.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Gustave Dehondt, Brussels

n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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1969.S.99
tags
hunting: AAT: 300239666
#draft
#completed
animals (Animalia kingdom): AAT: 300249395
%copyedited_Gail
standing: AAT: 300239500
%Archived
male: AAT: 300189559
human figures: AAT: 300404114
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
hands (animal or human components): AAT: 300310193
spirit: AAT: 300379007
Democratic Republic of the Congo (nation): TGN: 1000159
heroes: AAT: 300236801
hunters (people): AAT: 300025619
source file
object_notes_4_a-0239.xml.nores