GENERAL DESCRIPTION
All power figures (minkisi; sing. nkisi) are containers for consecrated substances, or "medicine," that empower them to protect, heal, or destroy. Such medicines are packed into body orifices or within a visible medicine pack on the torso that is sealed with a mirror. The postures and gestures of minkisi are meaningful.
This nkisi power figure of a man touches his face in a contemplative gesture and leans forward with his legs arranged in the fu-mani position, a sign of caring, competence, and responsibility. The sculptor has carefully and realistically depicted the nkisi's prestigious knotted pineapple skullcap (mpu) and the jewelry he wears on his wrists and upper arms. The figure probably represents a chief, but perhaps a healer and/or diviner as well.
The medicine that empowers this nkisi is hidden in the cylindrical container projecting from his torso. The imported mirror sealing the cavity enables him to see which supernatural forces are active, and the glass eyes allow him to peer through water to otherworldly wisdom in order to solve the owner's pathological or spiritual problem.
Adapted from
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 162-163.
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
NOTES
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RELATED OBJECTS
PROVENANCE
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York
1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1969.S.27
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General Description
All power figures (minkisi; sing. nkisi) are containers for consecrated substances, or "medicine," that empower them to protect, heal, or destroy. Such medicines are packed into body orifices or within a visible medicine pack on the torso that is sealed with a mirror. The postures and gestures of minkisi are meaningful.
This nkisi power figure of a man touches his face in a contemplative gesture and leans forward with his legs arranged in the fu-mani position, a sign of caring, competence, and responsibility. The sculptor has carefully and realistically depicted the nkisi's prestigious knotted pineapple skullcap (mpu) and the jewelry he wears on his wrists and upper arms. The figure probably represents a chief, but perhaps a healer and/or diviner as well.
The medicine that empowers this nkisi is hidden in the cylindrical container projecting from his torso. The imported mirror sealing the cavity enables him to see which supernatural forces are active, and the glass eyes allow him to peer through water to otherworldly wisdom in order to solve the owner's pathological or spiritual problem.
Adapted from
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 162-163.
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York
1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1969.S.27
source file
object_notes_4_a-0233.xml.nores