GENERAL DESCRIPTION
The Kuba kingdom, founded in the early 17th century in the central part of present-day Democratic Republic of the Congo, is made up of several different ethnicities that pay tribute to a king (nyim). The first nyim was the legendary Shyaam-a-Mbul Ngwoong who introduced the administrative and political structures that continue today. Hats and headdresses were and are the most visible expression of one’s standing within the intricate Kuba system of leadership and titleholding.
Senior female titleholders wear the mpaan, which combines the conical shape of the kalyeem with a rigid semicircular half-crown shape. The mpaan is decorated with beads and cowrie shells and may be further embellished with feathers. A beaded stem projects from the crown of the Dallas mpaan, and the lateral forehead band is extended by three-dimensional cowrie and bead-embroidered rectangles.
Used as part of one's funeral display, these symbols of status were not inherited by family members but usually buried, along with other emblems, with the deceased.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 76.
NOTES
Exhibition - African Headwear: Beyond Fashion
Catalogue essays
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PROVENANCE
n.d.: Cooner Collection, Dallas
1992: Dallas Museum of Art, gift of Alma McKinney, purchased from above
Notes: The main source for this provenance is the Accession Screen, May 1997, in the Collections Records object file.
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General Description
The Kuba kingdom, founded in the early 17th century in the central part of present-day Democratic Republic of the Congo, is made up of several different ethnicities that pay tribute to a king (nyim). The first nyim was the legendary Shyaam-a-Mbul Ngwoong who introduced the administrative and political structures that continue today. Hats and headdresses were and are the most visible expression of one’s standing within the intricate Kuba system of leadership and titleholding.
Senior female titleholders wear the mpaan, which combines the conical shape of the kalyeem with a rigid semicircular half-crown shape. The mpaan is decorated with beads and cowrie shells and may be further embellished with feathers. A beaded stem projects from the crown of the Dallas mpaan, and the lateral forehead band is extended by three-dimensional cowrie and bead-embroidered rectangles.
Used as part of one's funeral display, these symbols of status were not inherited by family members but usually buried, along with other emblems, with the deceased.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 76.
Fun Facts
Archival Resources
Web Resources
Notes
Exhibition - African Headwear: Beyond Fashion
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Cooner Collection, Dallas
1992: Dallas Museum of Art, gift of Alma McKinney, purchased from above
Notes: The main source for this provenance is the Accession Screen, May 1997, in the Collections Records object file.
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