GENERAL DESCRIPTION
Mintadi (sing. ntadi) funerary figures were carved in soft gray steatite (soapstone) as well as wood and placed on graves or in memorial houses in Mboma cemeteries, where survivors could consult them. This ntadi portrays a chief. He wears the insignia of office—a knotted pineapple fiber headdress (mpu) crowned with leopard claws—and is further distinguished by a hairstyle that encircles the ears. The figure is posed in a parallel-legs position (fumani) with one arm leaning on his knee and supporting his head while the other hand rests on his hip. This gesture, called kiyadi, expresses sadness as well as caring and competence and is the position in which Mboma chiefs were buried.
Adapted from
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 210-211.
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
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PROVENANCE
1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas
The main source for this provenance is the Aquisition Proposal in the Collections Records object file (1999.57).
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General Description
Mintadi (sing. ntadi) funerary figures were carved in soft gray steatite (soapstone) as well as wood and placed on graves or in memorial houses in Mboma cemeteries, where survivors could consult them. This ntadi portrays a chief. He wears the insignia of office—a knotted pineapple fiber headdress (mpu) crowned with leopard claws—and is further distinguished by a hairstyle that encircles the ears. The figure is posed in a parallel-legs position (fumani) with one arm leaning on his knee and supporting his head while the other hand rests on his hip. This gesture, called kiyadi, expresses sadness as well as caring and competence and is the position in which Mboma chiefs were buried.
Adapted from
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 210-211.
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
geo TMS
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1999: Dallas Museum of Art, purchased from Joel Cooner Gallery, Dallas, Texas
The main source for this provenance is the Aquisition Proposal in the Collections Records object file (1999.57).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1999.57
source file
object_notes_4_a-0227.xml.nores