GENERAL DESCRIPTION
The Hemba peoples memorialized distinguished ancestors (e.g. chiefs, warriors, and heads of lineages) in sculpted wooden figures (sing. singiti; pl. lusingiti) that served as vessels for their spirits. A visual genealogical record, the figures were cared for by a designated member of the lineage, who arranged them in the order in which they lived. The caretaker periodically honored the singiti with animal sacrifices; in return, the ancestors protected their descendants.
While sculpted lusingiti are idealized images, each represents a specific Hemba ancestor whose spirit is contained therein. They are portrayed as bearded males standing erect on a circular base with shoulders square, arms held close to the body, and hands resting on either side of a protruding abdomen with a herniated navel. With eyes closed, the ancestor figure displays a serene expression. The crossed lobes of the cruciform hairstyle, which are arranged over a square of woven raffia, evoke the four cardinal directions of the universe as well as the crossroads where the realm of the living and dead intersect.
This singiti is adorned with a necklace of expensive imported blue glass beads, which, like cowrie shells, were a form of currency before the introduction of coins and paper money. He was originally clothed in a woven raffia wrapper that was draped over the strip of leather that remains.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 212-213.
NOTES
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RELATED OBJECTS
PROVENANCE
n.d.: Schindler Collection, New York
1974: Dallas Museum of Fine Arts, the Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
Max Hartmann, Standing male ancestor figure, 44997612: UMO
VIDEO ASSETS
R. Walker, Standing male ancestor figure (singiti), 12937182: UMO
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1974.Sc.41
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General Description
The Hemba peoples memorialized distinguished ancestors (e.g. chiefs, warriors, and heads of lineages) in sculpted wooden figures (sing. singiti; pl. lusingiti) that served as vessels for their spirits. A visual genealogical record, the figures were cared for by a designated member of the lineage, who arranged them in the order in which they lived. The caretaker periodically honored the singiti with animal sacrifices; in return, the ancestors protected their descendants.
While sculpted lusingiti are idealized images, each represents a specific Hemba ancestor whose spirit is contained therein. They are portrayed as bearded males standing erect on a circular base with shoulders square, arms held close to the body, and hands resting on either side of a protruding abdomen with a herniated navel. With eyes closed, the ancestor figure displays a serene expression. The crossed lobes of the cruciform hairstyle, which are arranged over a square of woven raffia, evoke the four cardinal directions of the universe as well as the crossroads where the realm of the living and dead intersect.
This singiti is adorned with a necklace of expensive imported blue glass beads, which, like cowrie shells, were a form of currency before the introduction of coins and paper money. He was originally clothed in a woven raffia wrapper that was draped over the strip of leather that remains.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 212-213.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Schindler Collection, New York
1974: Dallas Museum of Fine Arts, the Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
Max Hartmann, Standing male ancestor figure, 44997612: UMO
VIDEO ASSETS
R. Walker, Standing male ancestor figure (singiti), 12937182: UMO
rules
Apply To
Objects
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1974.Sc.41
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object_notes_4_a-0226.xml.nores