GENERAL DESCRIPTION
Featuring leaves and bees in an asymmetrical composition, the tiles in this clock reflect a Japanese taste. During the late 19th century, Low Art Tile Works was one of America's most innovative potteries, and produced a wide variety of utilitarian tiles. Besides their usual line of tiles for fireplaces and floors, the Low Works produced an exceptional group of ceramic and metal clocks. Due to limited production and their inherent fragility, clocks by Low are extremely rare.
As this clock demonstrates, the designers and craftsmen who worked for the Low Works had extraordinary talent. Not only are the reliefs of bumble bees and leaves beautifully molded and glazed in a deep teal blue, but each is unified with one another through the use of brass elements decorated with Chinese cloud motifs. The overall effect is one of great elegance and unity of composition.
Adapted from
- Kevin W. Tucker, Label text [1990.134], 2006.
- Charles Venable, DMA unpublished material, 1990.
NOTES
- changed provenance to comply with Guidelines and Procedures for Provenance display
- Venable DMA unpublished material = Acquisition Justification (1990.134), Charles Venable
- fun fact source: Letter from Chris H. Bailey, Managing Director of the American Clock & Watch Museum to Katherine S. Howe, Associate Curator of The Museum of Fine Arts, Houston, dated February 12, 1986, copy found in Collections Records Object File (1990.134)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1990: Collection of Helen Hersh, Brooklyn, NY [1]
From 1990: Dallas Museum of Art, Dallas, Texas, purchased from the above via Crozier Fine Arts, New York, NY
[1] See shipping receipts found in the Collections Records Object File and check #48951 (1990.134)
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
Brooklyn Museum~See an example of a similar clock.
ARCHIVAL RESOURCES
FUN FACTS
In trade catalogs from the year 1886, this clock was priced at $35.50. To give a comparison of how expensive this was, walnut parlour clocks sold for about $7, and large hall clocks with hand carving and gong striking movement went for $65.00. This model ("No. 1017") was still carried in the 1887 revised price list at the same price. The 1889/1890 trade catalog still carried at the same price but it has been given the name "Albatross," perhaps inspired by the slow sales they had. The 1895 catalog does not show it.
TEACHING IDEAS
RULES
Apply to objects where number equals 1990.134
Category
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General Description
Featuring leaves and bees in an asymmetrical composition, the tiles in this clock reflect a Japanese taste. During the late 19th century, Low Art Tile Works was one of America's most innovative potteries, and produced a wide variety of utilitarian tiles. Besides their usual line of tiles for fireplaces and floors, the Low Works produced an exceptional group of ceramic and metal clocks. Due to limited production and their inherent fragility, clocks by Low are extremely rare.
As this clock demonstrates, the designers and craftsmen who worked for the Low Works had extraordinary talent. Not only are the reliefs of bumble bees and leaves beautifully molded and glazed in a deep teal blue, but each is unified with one another through the use of brass elements decorated with Chinese cloud motifs. The overall effect is one of great elegance and unity of composition.
Adapted from
- Kevin W. Tucker, Label text [1990.134], 2006.
- Charles Venable, DMA unpublished material, 1990.
Fun Facts
In trade catalogs from the year 1886, this clock was priced at $35.50. To give a comparison of how expensive this was, walnut parlour clocks sold for about $7, and large hall clocks with hand carving and gong striking movement went for $65.00. This model ("No. 1017") was still carried in the 1887 revised price list at the same price. The 1889/1890 trade catalog still carried at the same price but it has been given the name "Albatross," perhaps inspired by the slow sales they had. The 1895 catalog does not show it.
Archival Resources
Web Resources
Notes
- changed provenance to comply with Guidelines and Procedures for Provenance display
- Venable DMA unpublished material = Acquisition Justification (1990.134), Charles Venable
- fun fact source: Letter from Chris H. Bailey, Managing Director of the American Clock & Watch Museum to Katherine S. Howe, Associate Curator of The Museum of Fine Arts, Houston, dated February 12, 1986, copy found in Collections Records Object File (1990.134)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1990: Collection of Helen Hersh, Brooklyn, NY [1]
From 1990: Dallas Museum of Art, Dallas, Texas, purchased from the above via Crozier Fine Arts, New York, NY
[1] See shipping receipts found in the Collections Records Object File and check #48951 (1990.134)
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Objects
number
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1990.134
source file
object_notes_4_a-0181.xml.nores