1990.186 Edward C. Moore, Coffeepot


GENERAL DESCRIPTION    
In the early 1870s, Tiffany & Co.'s chief designer Edward C. Moore became fascinated with Near Eastern- and Indian decorative arts, which he not only collected but also emulated in his designs. This "Indian" coffee pot is one of the finest examples of American silver in that taste. The overall form is based directly on Indian water vessels characterized by bulbous bodies, elongated necks, and thin handles and spouts. Meanwhile, the intricate arabesque pattern of stylized rosettes and foliage that covers its surface is reminiscent of Turkish textiles and Iznik ceramics of the 16th century. On either side, a long, serrated leaf curves into a "C," the monogram of the original owner, Tiffany & Co. treasurer C. T. Cook. Evidently Tiffany & Co. was so pleased with this piece that they borrowed it from Cook for inclusion in their display at the 1876 Centennial Exposition in Philadelphia.

Drawn from
  • Kevin Tucker, Label text, 2002
  • Elizabeth L. Kerr Fish, "Edward C. Moore and Tiffany Islamic-Style Silver, c. 1867-1889," Studies in Decorative Arts Volume VI, Number 2 (Spring-Summer 1999): 51-52.
  • DMA Unpublished material.

NOTES
Updated sources - 9/1 (JBA)
I updated Provenance, Exhibition History, and Published References in TMS. 

I added the following as a TMS Text Entry: Charles L. Venable, Silver in America, 1840-1940: A Century of Splendor (Dallas, Texas: Dallas Museum of Art; New York, New York; Harry N. Abrams, Inc., 1994), 334.

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
From 1874: C. T. Cook, New York [1]

Until 1990: R & P Kassai (Peter Kassai), New York [2]

From 1990: Dallas Museum of Art, purchased  from the above [2]

[1] See monogram. See also Elizabeth L. Kerr Fish, "Edward C. Moore and Tiffany Islamic-Style Silver, c. 1867-1889," Studies in Decorative Arts Volume VI, Number 2 (Spring-Summer 1999): 51-52. See also John Loring, Magnificent Tiffany Silver (New York: Harry N. Abrams, 2001), 62. 

[2] See letter from Charles Venable to Peter Kassai (dated October 31, 1990, copy in Collections Records Object File). See also R & P Kassai invoice, which reads "Rec'd by Cheque 10/31/90" (dated November 4, 1990, copy in Collections Records File). 

EXHIBITION HISTORY      Y
1994: "Silver in America, 1840-1940: A Century of Splendor," Dallas Museum of Art, Dallas, Texas, November 6, 1994 - January 29, 1995; Carnegie Museum of Art, Pittsburgh, Pennsylvania, March 12-May 21, 1995; Milwaukee Art Museum, Milwaukee, Wisconsin, June 13-August 13, 1995; Henry Francis du Pont Winterthur Museum, Winterthur, Delaware, September 9, 1995-January 7, 1996, cat. p. 109, fig. 5.6. 

1999: "Tiffany Retrospective: Designs from Tiffany & Co. 1837-1999," Mitsukoshi Museum of Art, Tokyo, February 27-April 4, 1999; Daimaru Museum, Umeda-Osaka, April 14-May, 9, 1999; Mitsukoshi Gallery, Fukuoka, May 21-June 13, 1999; Mitsukoshi Gallery, Nagoya, June 16-June 21, 1999, cat. no. 003. 

AUDIO ASSETS 

VIDEO ASSETS

CONTEXTUAL IMAGE ASSETS

WEB RESOURCES 
  • Metropolitan Museum of Art ~ Edward C. Moore was an avid collector of Near and Far Eastern Art, especially the metalwork of Egypt, Syria, and Iran. Learn more about Moore's collection, which he bequeathed to the Metropolitan Museum of Art in 1891 and 1908. 
  • Victoria & Albert ~ Read "Style Guide: Influence of India."
  • Victoria & Albert ~ Read "Style Guide: Influence of Islam."

ARCHIVAL RESOURCES

FUN FACTS
An illustration of the coffeepot in Tiffany & Co.'s display at the 1876 Centennial Exposition in Philadelphia was published in the December 2, 1876 issue of Harper's Weekly

TEACHING IDEAS

RULES
Apply to objects where number equals 1990.186





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General Description
   
In the early 1870s, Tiffany & Co.'s chief designer Edward C. Moore became fascinated with Near Eastern- and Indian decorative arts, which he not only collected but also emulated in his designs. This "Indian" coffee pot is one of the finest examples of American silver in that taste. The overall form is based directly on Indian water vessels characterized by bulbous bodies, elongated necks, and thin handles and spouts. Meanwhile, the intricate arabesque pattern of stylized rosettes and foliage that covers its surface is reminiscent of Turkish textiles and Iznik ceramics of the 16th century. On either side, a long, serrated leaf curves into a "C," the monogram of the original owner, Tiffany & Co. treasurer C. T. Cook. Evidently Tiffany & Co. was so pleased with this piece that they borrowed it from Cook for inclusion in their display at the 1876 Centennial Exposition in Philadelphia.

Drawn from
  • Kevin Tucker, Label text, 2002
  • Elizabeth L. Kerr Fish, "Edward C. Moore and Tiffany Islamic-Style Silver, c. 1867-1889," Studies in Decorative Arts Volume VI, Number 2 (Spring-Summer 1999): 51-52.
  • DMA Unpublished material.

Fun Facts
An illustration of the coffeepot in Tiffany & Co.'s display at the 1876 Centennial Exposition in Philadelphia was published in the December 2, 1876 issue of Harper's Weekly

Archival Resources

Web Resources
 
  • Metropolitan Museum of Art ~ Edward C. Moore was an avid collector of Near and Far Eastern Art, especially the metalwork of Egypt, Syria, and Iran. Learn more about Moore's collection, which he bequeathed to the Metropolitan Museum of Art in 1891 and 1908. 
  • Victoria & Albert ~ Read "Style Guide: Influence of India."
  • Victoria & Albert ~ Read "Style Guide: Influence of Islam."

Notes
Updated sources - 9/1 (JBA)
I updated Provenance, Exhibition History, and Published References in TMS. 

I added the following as a TMS Text Entry: Charles L. Venable, Silver in America, 1840-1940: A Century of Splendor (Dallas, Texas: Dallas Museum of Art; New York, New York; Harry N. Abrams, Inc., 1994), 334.

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
From 1874: C. T. Cook, New York [1]

Until 1990: R & P Kassai (Peter Kassai), New York [2]

From 1990: Dallas Museum of Art, purchased  from the above [2]

[1] See monogram. See also Elizabeth L. Kerr Fish, "Edward C. Moore and Tiffany Islamic-Style Silver, c. 1867-1889," Studies in Decorative Arts Volume VI, Number 2 (Spring-Summer 1999): 51-52. See also John Loring, Magnificent Tiffany Silver (New York: Harry N. Abrams, 2001), 62. 

[2] See letter from Charles Venable to Peter Kassai (dated October 31, 1990, copy in Collections Records Object File). See also R & P Kassai invoice, which reads "Rec'd by Cheque 10/31/90" (dated November 4, 1990, copy in Collections Records File). 

EXHIBITION HISTORY      Y
1994: "Silver in America, 1840-1940: A Century of Splendor," Dallas Museum of Art, Dallas, Texas, November 6, 1994 - January 29, 1995; Carnegie Museum of Art, Pittsburgh, Pennsylvania, March 12-May 21, 1995; Milwaukee Art Museum, Milwaukee, Wisconsin, June 13-August 13, 1995; Henry Francis du Pont Winterthur Museum, Winterthur, Delaware, September 9, 1995-January 7, 1996, cat. p. 109, fig. 5.6. 

1999: "Tiffany Retrospective: Designs from Tiffany & Co. 1837-1999," Mitsukoshi Museum of Art, Tokyo, February 27-April 4, 1999; Daimaru Museum, Umeda-Osaka, April 14-May, 9, 1999; Mitsukoshi Gallery, Fukuoka, May 21-June 13, 1999; Mitsukoshi Gallery, Nagoya, June 16-June 21, 1999, cat. no. 003. 

AUDIO ASSETS 

VIDEO ASSETS

CONTEXTUAL
rules
Apply To
Objects
number
Equals
1990.186
tags
#draft
#completed
%copyedited_Gail
United States (nation): TGN: 7012149
*Decorative Arts and Design
decorative arts: AAT: 300054168
patterns (design elements): AAT: 300010108
repoussé: AAT: 300054023
shiny (shine): AAT: 300065244
leaves (plant components): AAT: 300400479
New York (New York/United States): TGN: 7007567
casting (process): AAT: 300053104
@Robinson
Tiffany & Company: ULAN: 500330306
coffee (food / dye): AAT: 300254662
vines: AAT: 300132406
vine scrolls: AAT: 300010105
coffeepots: AAT: 300072215
monograms: AAT: 300010038
world's fairs: AAT: 300054778
arabesques: AAT: 300010206
stylization: AAT: 300055836
rosette (motif): AAT: 300009972
Moore_Edward C.: ULAN: 500082289
source file
object_notes_4_a-0143.xml.nores