GENERAL DESCRIPTION
Inspired by the Asian ceramics exhibited at the Centennial Exhibition in Philadelphia in 1876, Chelsea Keramic Art Works' Hugh C. Robertson dedicated his career to the replication of Chinese and Japanese glazes. For example, "Robertson's Red," first achieved in 1885 and perfected in 1888, imitated the sang de boeuf or "oxblood" glaze developed in Qing dynasty China. He applied the glazes he developed to pale stoneware with simple shapes in order to showcase the saturation and brilliance of their hues, including turquoise, dark green, apple green, mustard yellow, and purple. The polychrome, textured surface of this vase is the result of Robertson's experiments with blended and layered glazes following the relocation of his enterprise, renamed Dedham Pottery, in 1895.
Drawn from
- Elisabeth Cameron, Encyclopedia of Pottery and Porcelain 1800-1960 (London: Cameron Books, 1986), 101, 281.
- Lois Lehner, Lehner's Encyclopedia of U.S. Marks on Pottery, Porcelain & Clay (Paducah, KY: Collector Books, 1988), 124.
NOTES
I updated the birth/death dates and birth/work locations for Hugh C. Robertson in the Constituents Module in TMS.
I updated Provenance in TMS.
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PROVENANCE
n.d.: Maude Davenport Garland (d. 1956), Dedham and Hyannis, Massachusetts [1]
Until 1994: Charles A. Garland, Dallas, Texas, by inheritance [2]
From 1994: Dallas Museum of Art, gift of the above [2]
[1] Maude Davenport Garland was a decorator at Dedham Pottery. See Acquisition Proposal titled "T41339.1-4; T41347" (undated, copy in Collections Records Object File). See also "Classic crackleware," Colonial Homes, February 1989, 91-95.
[2] See Deed of Gift (dated May 21, 1994, electronic copy in TMS).
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WEB RESOURCES
- Yale University Art Gallery~Hugh C. Robertson's designs with bubbled or blistered surfaces are known as "Volcanic Ware." View an example in the collection of the Yale University Art Gallery.
- Cooper Hewitt~Read a brief history of the sang de boeuf or "oxblood" glaze.
- Antiques & Fine Art Magazine~Read about Hugh C. Robertson and his contemporaries in "American Ceramics, 1876-1956: The Robert A. Ellison Jr. Collection at The Metropolitan Museum of Art."
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Apply to objects where number equals 1994.25
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General Description
Inspired by the Asian ceramics exhibited at the Centennial Exhibition in Philadelphia in 1876, Chelsea Keramic Art Works' Hugh C. Robertson dedicated his career to the replication of Chinese and Japanese glazes. For example, "Robertson's Red," first achieved in 1885 and perfected in 1888, imitated the sang de boeuf or "oxblood" glaze developed in Qing dynasty China. He applied the glazes he developed to pale stoneware with simple shapes in order to showcase the saturation and brilliance of their hues, including turquoise, dark green, apple green, mustard yellow, and purple. The polychrome, textured surface of this vase is the result of Robertson's experiments with blended and layered glazes following the relocation of his enterprise, renamed Dedham Pottery, in 1895.
Drawn from
- Elisabeth Cameron, Encyclopedia of Pottery and Porcelain 1800-1960 (London: Cameron Books, 1986), 101, 281.
- Lois Lehner, Lehner's Encyclopedia of U.S. Marks on Pottery, Porcelain & Clay (Paducah, KY: Collector Books, 1988), 124.
Fun Facts
Archival Resources
Web Resources
- Yale University Art Gallery~Hugh C. Robertson's designs with bubbled or blistered surfaces are known as "Volcanic Ware." View an example in the collection of the Yale University Art Gallery.
- Cooper Hewitt~Read a brief history of the sang de boeuf or "oxblood" glaze.
- Antiques & Fine Art Magazine~Read about Hugh C. Robertson and his contemporaries in "American Ceramics, 1876-1956: The Robert A. Ellison Jr. Collection at The Metropolitan Museum of Art."
Notes
I updated the birth/death dates and birth/work locations for Hugh C. Robertson in the Constituents Module in TMS.
I updated Provenance in TMS.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Maude Davenport Garland (d. 1956), Dedham and Hyannis, Massachusetts [1]
Until 1994: Charles A. Garland, Dallas, Texas, by inheritance [2]
From 1994: Dallas Museum of Art, gift of the above [2]
[1] Maude Davenport Garland was a decorator at Dedham Pottery. See Acquisition Proposal titled "T41339.1-4; T41347" (undated, copy in Collections Records Object File). See also "Classic crackleware," Colonial Homes, February 1989, 91-95.
[2] See Deed of Gift (dated May 21, 1994, electronic copy in TMS).
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