2002.46 Pergamon Museum I, Berlin


GENERAL DESCRIPTION  
In this work, a cast of characters Thomas Struth "directed" mills around in the Pergamon room of the famous museum in the former East Berlin. This is the largest group Struth has worked with to make one of his Museum Photographs, the renowned series that has brought the artist great acclaim since the mid-1990s. People gaze at vast buildings, staircases, and sculpture that once were part of the acropolis of the city of Pergamon of antiquity; seated on stairs (something not normally allowed), standing about in the middle of the room, or gazing at some far-off sculpture, Struth's viewers enact their own tableaux as if they themselves are friezes come to life. The giant scale of the space is brought to human scale as the figures take the place of their ancient counterparts. Yet this massive and ancient building is set within a museum whose modern skylights and windows define that space, sealing one age within another. Such paradoxes of ancient and modern, public and private, staged and spontaneous are often found in Struth's work.

Adapted from
Charles Wylie, DMA unpublished material, 2002.

NOTES
DMA unpublished material = Charles Wylie, Acquisition Proposal, 2002. In Collection Records object file (2002.46).
All the World's a Stage, DMA 2009-2010
Thomas Struth, DMA 2002

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PROVENANCE 
Until 2002: Thomas Struth (b. 1954)

2002: Dallas Museum of art, purchased through Marian Goodman Gallery, New York

The main source for this provenance is the copy of the invoice dated September 26, 2002, in the Collections Records object file (2002.46).

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General Description
 
In this work, a cast of characters Thomas Struth "directed" mills around in the Pergamon room of the famous museum in the former East Berlin. This is the largest group Struth has worked with to make one of his Museum Photographs, the renowned series that has brought the artist great acclaim since the mid-1990s. People gaze at vast buildings, staircases, and sculpture that once were part of the acropolis of the city of Pergamon of antiquity; seated on stairs (something not normally allowed), standing about in the middle of the room, or gazing at some far-off sculpture, Struth's viewers enact their own tableaux as if they themselves are friezes come to life. The giant scale of the space is brought to human scale as the figures take the place of their ancient counterparts. Yet this massive and ancient building is set within a museum whose modern skylights and windows define that space, sealing one age within another. Such paradoxes of ancient and modern, public and private, staged and spontaneous are often found in Struth's work.

Adapted from
Charles Wylie, DMA unpublished material, 2002.

Fun Facts

Archival Resources

Web Resources
 

Notes
DMA unpublished material = Charles Wylie, Acquisition Proposal, 2002. In Collection Records object file (2002.46).
All the World's a Stage, DMA 2009-2010
Thomas Struth, DMA 2002

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2002: Thomas Struth (b. 1954)

2002: Dallas Museum of art, purchased through Marian Goodman Gallery, New York

The main source for this provenance is the copy of the invoice dated September 26, 2002, in the Collections Records object file (2002.46).

AUDIO ASSETS 

VIDEO ASSETS

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2002.46
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@Bilal-Gore
*Contemporary Art
scale (relative size): AAT: 300056307
photography (discipline): AAT: 300389795
Berlin (Germany): TGN: 7003712
museums (institutions): AAT: 300312281
museums (buildings): AAT: 300005768
rooms and spaces: AAT: 300133704
Antiquity: AAT: 300055818
Struth_Thomas: ULAN: 500037064
color photographs: AAT: 300128359
audiences: AAT: 300192793
Pergamon: TGN: 7520097
ruins: AAT: 300008057
source file
object_notes_4_a-0122.xml.nores