GENERAL DESCRIPTION
This candlestick and its mate take full advantage of the brilliant, reflective quality of lead glass. The rings, the ribs on the domed foot, the faceted aspect of the stems, and the balls containing air bubbles were all designed to catch the light. When holding a burning candle in the dim interiors of the 18th century, this piece of glass must have glistened beautifully. If desired, cut decoration could also be applied to this model. Occasionally, such cut decoration was added to bases at a later date to disguise chips around the foot rim.
Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 88.
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PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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Apply to objects where number equals 1985.R.206
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AND
General Description
This candlestick and its mate take full advantage of the brilliant, reflective quality of lead glass. The rings, the ribs on the domed foot, the faceted aspect of the stems, and the balls containing air bubbles were all designed to catch the light. When holding a burning candle in the dim interiors of the 18th century, this piece of glass must have glistened beautifully. If desired, cut decoration could also be applied to this model. Occasionally, such cut decoration was added to bases at a later date to disguise chips around the foot rim.
Adapted from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 88.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates
search dates
place of origin
provenance
bibliography
published references
text entry
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1985.R.206
source file
object_notes_4_a-0117.xml.nores