1985.R.179.a-b, Ewer, La Granja factory, San Ildefonso, Spain, c. 1775-1825


GENERAL DESCRIPTION  
Glass has been made in the Iberian Peninsula since it was part of the Roman Empire. The sizable group of Spanish glass in the Reves Collection dates to the 18th and early 19th centuries and was probably produced at the La Granja factory. In 1728, a Catalan glassworker, Ventura Sit, built a furnace near the royal palace of La Granja in San Ildefonso. Queen Isabella Farnese was so impressed by his initial production of window and mirror glass that she built Sit a factory on the palace grounds. Besides plate glass, the factory also made chandeliers and tablewares for the Crown. However, the workshop constantly operated at a loss, and around 1760 a retail outlet was opened in Madrid in an attempt to bring in revenue. Despite continued losses, the La Granja factory remained in operation into the early 19th century. 

The cutting and gilt decoration on this ewer are characteristic of La Granja wares. Spanish consumers were particularly fond of painted decoration applied in gold. Most of the examples in the Reves Collection possess such decoration. Besides its ornament, this vessel is interesting for its shape. Tall ewers with elongated spouts were first used in Asia and found great favor in India and the Islamic world. Given Spain's Islamic heritage, it is not surprising that the form was produced in glass for serving wine and other cool liquids. 

Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 83.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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General Description
 
Glass has been made in the Iberian Peninsula since it was part of the Roman Empire. The sizable group of Spanish glass in the Reves Collection dates to the 18th and early 19th centuries and was probably produced at the La Granja factory. In 1728, a Catalan glassworker, Ventura Sit, built a furnace near the royal palace of La Granja in San Ildefonso. Queen Isabella Farnese was so impressed by his initial production of window and mirror glass that she built Sit a factory on the palace grounds. Besides plate glass, the factory also made chandeliers and tablewares for the Crown. However, the workshop constantly operated at a loss, and around 1760 a retail outlet was opened in Madrid in an attempt to bring in revenue. Despite continued losses, the La Granja factory remained in operation into the early 19th century. 

The cutting and gilt decoration on this ewer are characteristic of La Granja wares. Spanish consumers were particularly fond of painted decoration applied in gold. Most of the examples in the Reves Collection possess such decoration. Besides its ornament, this vessel is interesting for its shape. Tall ewers with elongated spouts were first used in Asia and found great favor in India and the Islamic world. Given Spain's Islamic heritage, it is not surprising that the form was produced in glass for serving wine and other cool liquids. 

Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 83.

Fun Facts

Archival Resources

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Notes
TMS Updates
search dates
place of origin
provenance
bibliography
published references
text entry

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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1985.R.179.a-b
tags
#draft
#completed
%copyedited_Gail
paint (coating): AAT: 300015029
%Archived
vessels (containers): AAT: 300193015
glassware: AAT: 300010898
glass (material): AAT: 300010797
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
cutting (glassworking): AAT: 300233397
containers (hierarchy name): AAT: 300045611
containers (receptacles): AAT: 300197197
lids (covers): AAT: 300045712
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
wine: AAT: 300379442
drinking: AAT: 300379698
decorating (process): AAT: 300056257
drinking glasses: AAT: 300043230
India (nation): TGN: 7000198
Asia (continent): TGN: 1000004
Spain (nation): TGN: 1000095
gilt: AAT: 300379350
gold (color): AAT: 300311191
spouts (container components): AAT: 300197224
Islamic (culture or style): AAT: 300380013
La Granja Factory: DMA
La Granja (Spain): TGN: 7332236
Iberian Peninsula: TGN: 7016676
faceting: AAT: 300236211
ewers (vessels): AAT: 300045666
Elizabeth Farnese (Queen of Spain): ULAN: 500039510
source file
object_notes_4_a-0112.xml.nores