GENERAL DESCRIPTION
The scene here appears to be of an earlier industrial age, but it is a factory that is fully functioning now, and could in an uncanny way be a set for a play or an opera, with a strong resemblance to the 1920s Fritz Lang film, Metropolis. The factory produces seamless tubing that has made possible innumerable technological advancements, processes, and objects that we take for granted, indeed that we could not live without. Without them, transportation, communication, medicine, entertainment - let alone what we think of as science - could not exist. By showing us where these essential but invisible things are made, Thomas Struth goes behind the surface of the everyday, allowing us to become aware of what we use, and what we depend on, without our conscious knowledge or even control.
Adapted from
Charles Wylie, DMA unpublished material, 2010.
NOTES
DMA unpublished material = Charles Wylie, Acquisition Proposal, 2010. In the Collections Records object file (2010.27.2).
Never Enough, DMA 2014
Thomas Struth, DMA 2002
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
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RELATED OBJECTS
PROVENANCE
Until 2010: Thomas Struth (b. 1954)
2010: Dallas Museum of Art and the Rachofsky Collection, Dallas (owned jointly), purchased through Marian Goodman Gallery, New York [1], [2]
[1] See the copy of the Co-Tenancy Agreement in the Collections Records object file (2010.27.2).
[2] See the copy of the invoice dated May 18, 2010, in the Collections Records object file (2010.27.2).
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VIDEO ASSETS
IMAGE ASSETS
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ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2010.27.2
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General Description
The scene here appears to be of an earlier industrial age, but it is a factory that is fully functioning now, and could in an uncanny way be a set for a play or an opera, with a strong resemblance to the 1920s Fritz Lang film, Metropolis. The factory produces seamless tubing that has made possible innumerable technological advancements, processes, and objects that we take for granted, indeed that we could not live without. Without them, transportation, communication, medicine, entertainment - let alone what we think of as science - could not exist. By showing us where these essential but invisible things are made, Thomas Struth goes behind the surface of the everyday, allowing us to become aware of what we use, and what we depend on, without our conscious knowledge or even control.
Adapted from
Charles Wylie, DMA unpublished material, 2010.
Fun Facts
Archival Resources
Web Resources
Notes
DMA unpublished material = Charles Wylie, Acquisition Proposal, 2010. In the Collections Records object file (2010.27.2).
Never Enough, DMA 2014
Thomas Struth, DMA 2002
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2010: Thomas Struth (b. 1954)
2010: Dallas Museum of Art and the Rachofsky Collection, Dallas (owned jointly), purchased through Marian Goodman Gallery, New York [1], [2]
[1] See the copy of the Co-Tenancy Agreement in the Collections Records object file (2010.27.2).
[2] See the copy of the invoice dated May 18, 2010, in the Collections Records object file (2010.27.2).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2010.27.2
source file
object_notes_4_a-0080.xml.nores