2010.27.2 Seamless Tube Production, Tenais Siderca, Campana/Buenos Aires, Argentina


GENERAL DESCRIPTION  
The scene here appears to be of an earlier industrial age, but it is a factory that is fully functioning now, and could in an uncanny way be a set for a play or an opera, with a strong resemblance to the 1920s Fritz Lang film, Metropolis. The factory produces seamless tubing that has made possible innumerable technological advancements, processes, and objects that we take for granted, indeed that we could not live without. Without them, transportation, communication, medicine, entertainment - let alone what we think of as science - could not exist. By showing us where these essential but invisible things are made, Thomas Struth goes behind the surface of the everyday, allowing us to become aware of what we use, and what we depend on, without our conscious knowledge or even control. 

Adapted from
Charles Wylie, DMA unpublished material, 2010.

NOTES
DMA unpublished material = Charles Wylie, Acquisition Proposal, 2010. In the Collections Records object file (2010.27.2).

Never Enough, DMA 2014
Thomas Struth, DMA 2002

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2010: Thomas Struth (b. 1954)

2010: Dallas Museum of Art and the Rachofsky Collection, Dallas (owned jointly), purchased through Marian Goodman Gallery, New York [1], [2]

[1] See the copy of the Co-Tenancy Agreement in the Collections Records object file (2010.27.2).

[2] See the copy of the invoice dated May 18, 2010, in the Collections Records object file (2010.27.2).

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 2010.27.2

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General Description
 
The scene here appears to be of an earlier industrial age, but it is a factory that is fully functioning now, and could in an uncanny way be a set for a play or an opera, with a strong resemblance to the 1920s Fritz Lang film, Metropolis. The factory produces seamless tubing that has made possible innumerable technological advancements, processes, and objects that we take for granted, indeed that we could not live without. Without them, transportation, communication, medicine, entertainment - let alone what we think of as science - could not exist. By showing us where these essential but invisible things are made, Thomas Struth goes behind the surface of the everyday, allowing us to become aware of what we use, and what we depend on, without our conscious knowledge or even control. 

Adapted from
Charles Wylie, DMA unpublished material, 2010.

Fun Facts

Archival Resources

Web Resources
 

Notes
DMA unpublished material = Charles Wylie, Acquisition Proposal, 2010. In the Collections Records object file (2010.27.2).

Never Enough, DMA 2014
Thomas Struth, DMA 2002

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2010: Thomas Struth (b. 1954)

2010: Dallas Museum of Art and the Rachofsky Collection, Dallas (owned jointly), purchased through Marian Goodman Gallery, New York [1], [2]

[1] See the copy of the Co-Tenancy Agreement in the Collections Records object file (2010.27.2).

[2] See the copy of the invoice dated May 18, 2010, in the Collections Records object file (2010.27.2).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2010.27.2
tags
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@Bilal-Gore
*Contemporary Art
photography (discipline): AAT: 300389795
machinery: AAT: 300024839
Struth_Thomas: ULAN: 500037064
science: AAT: 300054462
color photographs: AAT: 300128359
factories: AAT: 300006232
tubes (object forms): AAT: 300014687
Buenos Aires: TGN: 7006287
source file
object_notes_4_a-0080.xml.nores