2011.4 She


GENERAL DESCRIPTION
To produce this monolithic sculpture, Bosnian-born artist Bojan Šarčevič traveled to the Silk Road city of Yazd in central Iran to acquire this mass of onyx. The 1.7-ton stone was transported by truck from Iran to England, where one side was meticulously carved and polished, while the obverse was left in its natural state. On the worked side, the precise geometry of the recessed rectangles reveals the luminous nature of the stone. The other side shows the roughly varied yet natural surface of the hidden landscape that lay below it. The flanking shorter sides of the stone reveal its sedimentary connective tissue, built up over centuries of time.

Šarčevič chose a material laden with cultural and art historical connections, among them the ancient Egyptian use of onyx vessels for ritual and burial, as well as the ancient Greek and Roman importation of stone for lavish ornamentation. She prompts an array of thoughts, associations, and images: the ancient and the modern; the natural and the manufactured; the organic fractal and the rigidly geometric.

Adapted from
  • Jeffrey Grove, DMA label copy, May 2011.
  • Jeffrey Grove, DMA unpublished material, 2011.

NOTES
DMA unpublished material = Jeffrey Grove, Acquisition Proposal, 2011, in Collections Records object file (2011.4).

Exhibition: Silence & Time, DMA 2011

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PROVENANCE
Until 2010: Bojan Šarčevič, b. 1974

2010: Dallas Museum of Art, purchased through Modern Art, London

Notes:
The main source for this provenance is the copy of the invoice dated November 17, 2010, in the Collections Records object file (2011.4).

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Apply to objects where number equals 2011.4

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General Description
To produce this monolithic sculpture, Bosnian-born artist Bojan Šarčevič traveled to the Silk Road city of Yazd in central Iran to acquire this mass of onyx. The 1.7-ton stone was transported by truck from Iran to England, where one side was meticulously carved and polished, while the obverse was left in its natural state. On the worked side, the precise geometry of the recessed rectangles reveals the luminous nature of the stone. The other side shows the roughly varied yet natural surface of the hidden landscape that lay below it. The flanking shorter sides of the stone reveal its sedimentary connective tissue, built up over centuries of time.

Šarčevič chose a material laden with cultural and art historical connections, among them the ancient Egyptian use of onyx vessels for ritual and burial, as well as the ancient Greek and Roman importation of stone for lavish ornamentation. She prompts an array of thoughts, associations, and images: the ancient and the modern; the natural and the manufactured; the organic fractal and the rigidly geometric.

Adapted from
  • Jeffrey Grove, DMA label copy, May 2011.
  • Jeffrey Grove, DMA unpublished material, 2011.

Fun Facts

Archival Resources

Web Resources

Notes
DMA unpublished material = Jeffrey Grove, Acquisition Proposal, 2011, in Collections Records object file (2011.4).

Exhibition: Silence & Time, DMA 2011

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
Until 2010: Bojan Šarčevič, b. 1974

2010: Dallas Museum of Art, purchased through Modern Art, London

Notes:
The main source for this provenance is the copy of the invoice dated November 17, 2010, in the Collections Records object file (2011.4).

AUDIO ASSETS

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Objects
number
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2011.4
tags
#draft
#completed
sculpture: AAT: 300047090
%Archived
carving (processes): AAT: 300053149
@Bilal-Gore
*Contemporary Art
white (color): AAT: 300129784
yellow (color): AAT: 300127794
installations (visual works): AAT: 300047896
rectangles (parallelograms): AAT: 300055636
brown (color): AAT: 300127490
Silk Road: TGN: 7031416
geometry: AAT: 300054529
onyx (mineral): AAT: 300011136
history (discipline): AAT: 300054394
Šarčevič_Bojan: ULAN: 500120964
Yazd: TGN: 7002173
sediments: AAT: 300379424
natural: AAT: 300219527
source file
object_notes_4_a-0079.xml.nores