1953.23 Perry Nichols, The Red Queen


GENERAL DESCRIPTION  
This painting is dramatically different in style from Perry Nichols' earlier works. Its highly finished surface betrays virtually no brushstrokes, while the mysterious, hyper-realistic assemblage of still-life objects evokes the late 19th-century trompe l'oeil ("fool-the-eye") still lifes.

Adapted from 
Wiliam Keyse Rudolph, Label text, 2005

NOTES
Created in 1953

Reviewed Object File

"magic realism"

Type of shell: lightning whelk

Remarks on card: Discrepancy in acquisition date and date on painting derives from fact that paintings was returned to artist briefly after winning prize.

Exhibition: Lone Star Regionalism: The Dallas Nine and their Circle 1928-1945, February 3, 1985-July 10, 1988

Potential connections to title for fun facts:
Red Queen from Through the Looking Glass by Lewis Carroll---Alice in Wonderland Disney film came out in 1951.
           

"This painting is dramatically different in style from Perry Nichols' earlier "Fight in the Corral," on view nearby. Its highly finished surface betrays virtually no brushstrokes, while the mysterious, hyper-realistic assemblage of still-life objects evokes the late 19th-century trompe l'oeil ("fool-the-eye") still lifes of William Michael Harnett and John Peto, whose works are on view in the Museum's American collections.
Besides executing numerous murals around the city, Dallas native Nichols assisted Pierre Bourdelle on the plaster reliefs for the exposition buildings built for the 1936 Texas Centennial, which still stand today in Fair Park. He also headed the art department at The Hockaday School."
Wiliam Keyse Rudolph
The Pauline Gill Sullivan Associate Curator of American Art
July 2005

Catalogue essays

Artist/designers

Cultures

Geography 
Place of origin: Dallas (Texas/United States): TGN: 7013503

Process/materials
Oil on Masonite

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Before 1953: Perry Nichols [1]
From 1953: Dallas Museum of Fine Arts, State Fair of Texas Purchase, The Fifteenth Annual Exhibition of Texas Painting and Sculpture [2]

[1]  The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.  
[2]  The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1953.23

Category
rules_operator
AND
General Description
 
This painting is dramatically different in style from Perry Nichols' earlier works. Its highly finished surface betrays virtually no brushstrokes, while the mysterious, hyper-realistic assemblage of still-life objects evokes the late 19th-century trompe l'oeil ("fool-the-eye") still lifes.

Adapted from 
Wiliam Keyse Rudolph, Label text, 2005

Fun Facts

Archival Resources

Web Resources
 
Notes
Created in 1953

Reviewed Object File

"magic realism"

Type of shell: lightning whelk

Remarks on card: Discrepancy in acquisition date and date on painting derives from fact that paintings was returned to artist briefly after winning prize.

Exhibition: Lone Star Regionalism: The Dallas Nine and their Circle 1928-1945, February 3, 1985-July 10, 1988

Potential connections to title for fun facts:
Red Queen from Through the Looking Glass by Lewis Carroll---Alice in Wonderland Disney film came out in 1951.
           

"This painting is dramatically different in style from Perry Nichols' earlier "Fight in the Corral," on view nearby. Its highly finished surface betrays virtually no brushstrokes, while the mysterious, hyper-realistic assemblage of still-life objects evokes the late 19th-century trompe l'oeil ("fool-the-eye") still lifes of William Michael Harnett and John Peto, whose works are on view in the Museum's American collections.
Besides executing numerous murals around the city, Dallas native Nichols assisted Pierre Bourdelle on the plaster reliefs for the exposition buildings built for the 1936 Texas Centennial, which still stand today in Fair Park. He also headed the art department at The Hockaday School."
Wiliam Keyse Rudolph
The Pauline Gill Sullivan Associate Curator of American Art
July 2005

Catalogue essays

Artist/designers

Cultures

Geography 
Place of origin: Dallas (Texas/United States): TGN: 7013503

Process/materials
Oil on Masonite

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Before 1953: Perry Nichols [1]
From 1953: Dallas Museum of Fine Arts, State Fair of Texas Purchase, The Fifteenth Annual Exhibition of Texas Painting and Sculpture [2]

[1]  The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.  
[2]  The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1953.23
tags
#draft
Dallas (Texas/United States): TGN: 7013503
shell (animal material): AAT: 300011829
trees (plants): AAT: 300132410
rock (inorganic material): AAT: 300011692
*American Art
@Russell
pitchers (vessels): AAT: 300194765
wood (plant material): AAT: 300011914
trompe-l'oeil: AAT: 300056506
spurs (costume accessories): AAT: 300036923
key (hardware): AAT: 300033579
castles (fortifications): AAT: 300006891
Nichols_Perry: ULAN: 500331589
beetles (insects/animals): AAT: 300310502
pistols: AAT: 300037160
handguns (small arms): AAT: 300037158
Echinoidea (class): AAT: 300258774
source file
object_notes_4_a-0013.xml.nores