GENERAL DESCRIPTION
This rug was patterned after an imported example from Asia Minor. The central field depicts a garden resplendent with fountains, vases of flowers, and exotic trees, as well as birds, deer, and lions. While "garden" rugs are most often associated with Persia, the borders used here are not. Borders featuring repeating octagons are typically found on rugs from Turkey and the Caucasus. It is possible that the prototype of this rug was made in one of the regions of later production, even though a Persian central motif was utilized.
When Wendy and Emery Reves acquired this rug, it was attributed to the city of Valencia. A Mediterranean port north of Murcia, Valencia is known to have been producing rugs by the 17th century, but as yet none of them can be identified with certainty.
Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 33.
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PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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General Description
This rug was patterned after an imported example from Asia Minor. The central field depicts a garden resplendent with fountains, vases of flowers, and exotic trees, as well as birds, deer, and lions. While "garden" rugs are most often associated with Persia, the borders used here are not. Borders featuring repeating octagons are typically found on rugs from Turkey and the Caucasus. It is possible that the prototype of this rug was made in one of the regions of later production, even though a Persian central motif was utilized.
When Wendy and Emery Reves acquired this rug, it was attributed to the city of Valencia. A Mediterranean port north of Murcia, Valencia is known to have been producing rugs by the 17th century, but as yet none of them can be identified with certainty.
Excerpt from
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 33.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates
search dates
place of origin
provenance
published references
text entry
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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object_notes_3_d-0016.xml.nores