GENERAL DESCRIPTION
Among the societies of Central America, gold ornaments were important symbols of power and prestige that expressed authority and status in life and in death. Made to be suspended around the neck, gold plaques and pendants were still worn by local inhabitants of the Caribbean coast of present-day Costa Rica and Panama when Europeans encountered them at the turn of the sixteenth century. This gold circular plaque would likely have originally been worn hanging over the chest as a pectoral either fastened to a neckband or garment. Often referred to as patenas, many examples of such pectorals have been found from this region, and are usually similar in size with simple decoration of raised dots around the rim and highly polished surfaces. Others feature large bosses or figural designs, as seen in this example. The image is flattened and bilaterally symmetrical for maximum decorative effect and features a bicephalic (two-headed or double-headed) crocodile deity surrounded by decorative geometric motifs. Though their exact meaning is unknown, gold objects such as these were likely worn on ceremonial occasions, and would have created a dazzling golden image.
Adapted from
- Bonnie Pitman, ed., "Pendant with two frogs (1976.W.292), Pendant bell depicting a turtle (1976.W.301), Pendant depicting a batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 35.
- Carol Robbins, "Pendant depicting a figure with batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 181.
- "Pectoral Disk (Patena) (1977.187.28)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.https://www.metmuseum.org/toah/works-of-art/1977.187.28/. (August 2009).
NOTES
Cocle, Period V - Period VI, 700-900 C.E. (noted on TMS), updated by KJones on 03/25/16, 03/30/16, 03/31/16, and 04/05/17.
Catalogue essays
Artist/designers
Cultures
Coclé (Pre-Columbian Panamanian styles): AAT: 300017242
Pre-Columbian Panamanian styles: AAT: 300017241
Pre-Columbian (American): AAT: 300016619
Geography
Coclé (province): TGN: 1001207
Gran Coclé (area): TGN: 8697951
Panama (nation): TGN: 7005565
Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
casting: AAT: 300053104
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Individuals
Subject terms
sculpture: AAT: 300047090
costume: AAT: 300209261
worn costume accessories: AAT: 300209274
plaque (flat objects): AAT: 300010262
pectorals (jewelry): AAT: 300211902
jewelry: AAT: 300209286
ornaments: AAT: 300266794
shiny (shine): AAT: 300065244
figures (representations): AAT: 300189808
heads (representations): AAT: 300262520
bicephalic (two-headed / double-headed): DMA
animals (Animalia kingdom): AAT: 300249395
reptiles: AAT: 300265956
crocodile (animals/crocodylidae family): AAT: 300250293
claws (animal components): AAT: 300379351
fangs (teeth): DMA
decorating (process): AAT: 300056257
geometric motifs: AAT: 300009764
geometric shape: AAT: 300263819
geometric patterns: AAT: 300165213
circles (plane figures): AAT: 300055627
circular (shape): AAT: 300263827
lines (geometric concept): AAT: 300056279
bands (decorative): DMA
scrolls (spirals / motifs): AAT: 300010094
spirals (geometric figures): AAT: 300163114
crescent (motif): AAT: 300165510
raised (form attribute): AAT: 300010354
relief (sculpture techniques): AAT: 300053622
bosses (components): AAT: 300047259
polishing (finishing): AAT: 300053867
power: AAT: 300374809
prestige: AAT: 300343604
authority (concepts): DMA
social status: AAT: 300065206
symmetry: AAT: 300056249
protection: AAT: 300164923
ceremonial costume: AAT: 300210387
myth: AAT: 300201023
mythical or legendary beings: AAT: 300375725
deities: AAT: 300343850
supernatural (concepts): AAT: 300055947
duality (concepts): DMA
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is letter from A.L. Woodman, Chief of Valuation Analysis Section of the Internal Revenue Service, to Harry S. Parker, Director of the Dallas Museum of Fine Arts (dated July 23, 1979, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
- This circular plaque was featured in the World of Ancient Gold exhibit at the New York's World's Fair, Travel and Transportation Pavilion (April 22-October 18, 1964).
TEACHING IDEAS
RULES
Apply to objects where number equals 1976.W.243
Category
rules_operator
AND
General Description
Among the societies of Central America, gold ornaments were important symbols of power and prestige that expressed authority and status in life and in death. Made to be suspended around the neck, gold plaques and pendants were still worn by local inhabitants of the Caribbean coast of present-day Costa Rica and Panama when Europeans encountered them at the turn of the sixteenth century. This gold circular plaque would likely have originally been worn hanging over the chest as a pectoral either fastened to a neckband or garment. Often referred to as patenas, many examples of such pectorals have been found from this region, and are usually similar in size with simple decoration of raised dots around the rim and highly polished surfaces. Others feature large bosses or figural designs, as seen in this example. The image is flattened and bilaterally symmetrical for maximum decorative effect and features a bicephalic (two-headed or double-headed) crocodile deity surrounded by decorative geometric motifs. Though their exact meaning is unknown, gold objects such as these were likely worn on ceremonial occasions, and would have created a dazzling golden image.
Adapted from
- Bonnie Pitman, ed., "Pendant with two frogs (1976.W.292), Pendant bell depicting a turtle (1976.W.301), Pendant depicting a batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 35.
- Carol Robbins, "Pendant depicting a figure with batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 181.
- "Pectoral Disk (Patena) (1977.187.28)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.https://www.metmuseum.org/toah/works-of-art/1977.187.28/. (August 2009).
Fun Facts
- This circular plaque was featured in the World of Ancient Gold exhibit at the New York's World's Fair, Travel and Transportation Pavilion (April 22-October 18, 1964).
Archival Resources
Web Resources
Notes
Cocle, Period V - Period VI, 700-900 C.E. (noted on TMS), updated by KJones on 03/25/16, 03/30/16, 03/31/16, and 04/05/17.
Catalogue essays
Artist/designers
Cultures
Coclé (Pre-Columbian Panamanian styles): AAT: 300017242
Pre-Columbian Panamanian styles: AAT: 300017241
Pre-Columbian (American): AAT: 300016619
Geography
Coclé (province): TGN: 1001207
Gran Coclé (area): TGN: 8697951
Panama (nation): TGN: 7005565
Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
casting: AAT: 300053104
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Individuals
Subject terms
sculpture: AAT: 300047090
costume: AAT: 300209261
worn costume accessories: AAT: 300209274
plaque (flat objects): AAT: 300010262
pectorals (jewelry): AAT: 300211902
jewelry: AAT: 300209286
ornaments: AAT: 300266794
shiny (shine): AAT: 300065244
figures (representations): AAT: 300189808
heads (representations): AAT: 300262520
bicephalic (two-headed / double-headed): DMA
animals (Animalia kingdom): AAT: 300249395
reptiles: AAT: 300265956
crocodile (animals/crocodylidae family): AAT: 300250293
claws (animal components): AAT: 300379351
fangs (teeth): DMA
decorating (process): AAT: 300056257
geometric motifs: AAT: 300009764
geometric shape: AAT: 300263819
geometric patterns: AAT: 300165213
circles (plane figures): AAT: 300055627
circular (shape): AAT: 300263827
lines (geometric concept): AAT: 300056279
bands (decorative): DMA
scrolls (spirals / motifs): AAT: 300010094
spirals (geometric figures): AAT: 300163114
crescent (motif): AAT: 300165510
raised (form attribute): AAT: 300010354
relief (sculpture techniques): AAT: 300053622
bosses (components): AAT: 300047259
polishing (finishing): AAT: 300053867
power: AAT: 300374809
prestige: AAT: 300343604
authority (concepts): DMA
social status: AAT: 300065206
symmetry: AAT: 300056249
protection: AAT: 300164923
ceremonial costume: AAT: 300210387
myth: AAT: 300201023
mythical or legendary beings: AAT: 300375725
deities: AAT: 300343850
supernatural (concepts): AAT: 300055947
duality (concepts): DMA
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is letter from A.L. Woodman, Chief of Valuation Analysis Section of the Internal Revenue Service, to Harry S. Parker, Director of the Dallas Museum of Fine Arts (dated July 23, 1979, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1976.W.243
source file
object_notes_3_c-0261.xml.nores