GENERAL DESCRIPTION
On this ancient Greek necklace, globular glass beads in green, blue, red, and translucent colors alternate with white glass beads in the shape of dumbbells. Two cylindrical tubes made from ribbed gold, one larger than the other, form the finials at each end of the necklace.
This necklace illustrates a fundamental change in Greek jewelry during the 2nd century BCE: colored effects were no longer applied only to enhance naturalistic decorative motifs and details such as the petals of a flower or the eye of an animal; they were now used in their own right. The bright colors of precious stones were set off against the warm shades of the gold. Although naturalistic motifs continued to be used, they were no longer the preeminent factor in Greek jewelry. The abstract combination of different materials and colors became more and more important.
Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 65; 138.
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PROVENANCE
Until 1989: probably Collection of Dr. Athos Moretti, Switzerland [1]
1989-1991: Collection of Robert Haber, New York, New York [2]
From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.
[1] based on existing provenance entry in TMS
[2] See printed email exchange between Andrew Oliver and Anne Bromberg, dated August 3, 2012, found in Collections Record Object file 1991.75.53
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General Description
On this ancient Greek necklace, globular glass beads in green, blue, red, and translucent colors alternate with white glass beads in the shape of dumbbells. Two cylindrical tubes made from ribbed gold, one larger than the other, form the finials at each end of the necklace.
This necklace illustrates a fundamental change in Greek jewelry during the 2nd century BCE: colored effects were no longer applied only to enhance naturalistic decorative motifs and details such as the petals of a flower or the eye of an animal; they were now used in their own right. The bright colors of precious stones were set off against the warm shades of the gold. Although naturalistic motifs continued to be used, they were no longer the preeminent factor in Greek jewelry. The abstract combination of different materials and colors became more and more important.
Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 65; 138.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1989: probably Collection of Dr. Athos Moretti, Switzerland [1]
1989-1991: Collection of Robert Haber, New York, New York [2]
From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.
[1] based on existing provenance entry in TMS
[2] See printed email exchange between Andrew Oliver and Anne Bromberg, dated August 3, 2012, found in Collections Record Object file 1991.75.53
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
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1991.75.90
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object_notes_3_c-0181.xml.nores