GENERAL DESCRIPTION
During the Classic period (200–900 CE), Maya culture developed in the region from the northern Yucatán peninsula to the southern highlands of Guatemala, from eastern Mexico to western Honduras. The Maya built monumental architecture in cities strategically located on trade routes traversing land, rivers, and sea. By the Late Classic period (600–900 CE), an expanding Maya elite traded in luxury items such as feathers, cacao, cotton cloth, obsidian, and jadeite sourced from southeastern Guatemala and western Honduras. The desire by Maya elite for exotic goods expanded interaction with non-Maya populations into the southeast periphery of Mesoamerica.
The Ulúa River system served as a crucial conduit for cultural exchange into central Honduras. Maya traders from coastal Belize and the Yucatán peninsula transported worked objects to northern Honduras in exchange for local resources. Artisans from the Ulúa River regions produced elaborately carved marble cylinder vases, which were traded as far north as central Mexico and south into Panama. The Ulúa River valley, Lake Yojoa, and Comayagua populations further developed a regional polychrome painted ceramic tradition. These “Ulua Polychromes” varied in form and decoration; however, they often incorporated visual motifs adapted from their highly prolific Maya neighbors. The Ulua Polychrome tradition flourished in central Honduras throughout the Late Classic period.
Excerpt from
Kimberly L. Jones, PhD, Label text, Edith O'Donnell Institute of Art History (EODIAH), 2017.
NOTES
Maya, Late Classic, 550–800 C.E., updated by KJones in TMS on 03/14/16 and 06/07/17.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Maya: AAT: 300017826
Lowland Maya: AAT: 300017099
Geography
Mexico (nation): TGN: 7005560
Guatemala (nation): TGN: 7005493
Process/materials
jadeite (mineral): AAT: 300011121
cinnabar (mineral and pigment): AAT: 300311452
cinnabar (pigment): AAT: 300400883
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Classic (mesoamerican period): AAT: 300016983
Late Classic Period: AAT: 300016986
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
green (color): AAT: 300128438
figures: AAT: 300189808
human figures: AAT: 300404114
head: AAT: 300262520
faces (animal or human components): AAT: 300251798
nobility (nobles / aristocracy): AAT: 300025942
ancestors: AAT: 300255718
king: AAT: 300025481
rulers (people): AAT: 300025475
portrait: AAT: 300015637
headdress: AAT: 300046023
hair ornaments: AAT: 300209287
beads (pierced objects): AAT: 300234006
hairstyles: AAT: 300262903
earrings (jewelry): AAT: 300045998
earspools: AAT: 300209300
ear ornaments: AAT: 300211279
geometric motifs: AAT: 300009764
geometric patterns: AAT: 300165213
circles (plane figures): AAT: 300055627
green (color): AAT: 300128438
trade (function): AAT: 300061886
luxury (concept / condition): DMA
precious (concept / condition): DMA
Ulúa Valley (Honduras): DMA
Río Ulúa (river): TGN: 1131229
Ulúa (Pre-Columbian Northern Central American styles): AAT: 300017226
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [2], [3]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott and The Eugene McDermott Foundation and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated [3], [4]
[1] The main source for this provenance was existing provenance information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Object Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Record (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1973.36
Category
rules_operator
AND
General Description
During the Classic period (200–900 CE), Maya culture developed in the region from the northern Yucatán peninsula to the southern highlands of Guatemala, from eastern Mexico to western Honduras. The Maya built monumental architecture in cities strategically located on trade routes traversing land, rivers, and sea. By the Late Classic period (600–900 CE), an expanding Maya elite traded in luxury items such as feathers, cacao, cotton cloth, obsidian, and jadeite sourced from southeastern Guatemala and western Honduras. The desire by Maya elite for exotic goods expanded interaction with non-Maya populations into the southeast periphery of Mesoamerica.
The Ulúa River system served as a crucial conduit for cultural exchange into central Honduras. Maya traders from coastal Belize and the Yucatán peninsula transported worked objects to northern Honduras in exchange for local resources. Artisans from the Ulúa River regions produced elaborately carved marble cylinder vases, which were traded as far north as central Mexico and south into Panama. The Ulúa River valley, Lake Yojoa, and Comayagua populations further developed a regional polychrome painted ceramic tradition. These “Ulua Polychromes” varied in form and decoration; however, they often incorporated visual motifs adapted from their highly prolific Maya neighbors. The Ulua Polychrome tradition flourished in central Honduras throughout the Late Classic period.
Excerpt from
Kimberly L. Jones, PhD, Label text, Edith O'Donnell Institute of Art History (EODIAH), 2017.
Fun Facts
Archival Resources
Web Resources
Notes
Maya, Late Classic, 550–800 C.E., updated by KJones in TMS on 03/14/16 and 06/07/17.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Maya: AAT: 300017826
Lowland Maya: AAT: 300017099
Geography
Mexico (nation): TGN: 7005560
Guatemala (nation): TGN: 7005493
Process/materials
jadeite (mineral): AAT: 300011121
cinnabar (mineral and pigment): AAT: 300311452
cinnabar (pigment): AAT: 300400883
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Classic (mesoamerican period): AAT: 300016983
Late Classic Period: AAT: 300016986
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
green (color): AAT: 300128438
figures: AAT: 300189808
human figures: AAT: 300404114
head: AAT: 300262520
faces (animal or human components): AAT: 300251798
nobility (nobles / aristocracy): AAT: 300025942
ancestors: AAT: 300255718
king: AAT: 300025481
rulers (people): AAT: 300025475
portrait: AAT: 300015637
headdress: AAT: 300046023
hair ornaments: AAT: 300209287
beads (pierced objects): AAT: 300234006
hairstyles: AAT: 300262903
earrings (jewelry): AAT: 300045998
earspools: AAT: 300209300
ear ornaments: AAT: 300211279
geometric motifs: AAT: 300009764
geometric patterns: AAT: 300165213
circles (plane figures): AAT: 300055627
green (color): AAT: 300128438
trade (function): AAT: 300061886
luxury (concept / condition): DMA
precious (concept / condition): DMA
Ulúa Valley (Honduras): DMA
Río Ulúa (river): TGN: 1131229
Ulúa (Pre-Columbian Northern Central American styles): AAT: 300017226
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [2], [3]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott and The Eugene McDermott Foundation and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated [3], [4]
[1] The main source for this provenance was existing provenance information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Object Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Record (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1973.36
source file
object_notes_3_c-0132.xml.nores