1989.W.2262 / alt. T41299.32 Khipu with subsidiary main cord and subsidiary and tertiary cords (Inka)


GENERAL DESCRIPTION
Andean cultures did not have a recognizable writing system prior to the Spanish conquest in the early 1530s; however, they did utilize a system of recording through knotted cords, known as quipu (khipu; “knot” in Quechua). Quipu that date to the Late Horizon (1400-1532 CE) and early Spanish Colonial period (1400-1570 CE) vary in structure, from numeric records to “anomalous” types that possibly record more abstract concepts. Spanish chroniclers cite their use by specialists, known as quipucamayoc (khipucamayuq), for recording census, taxes, and stored goods such as dried maize and potatoes. Early forms of quipu were used during the Middle Horizon (600-1000 CE), under Huari (Wari) cultural influence.

This Inca-style quipu exhibits a numerical structure based on the Andean decimal system. The number of loops in a knot indicates the numerical value, while the placement of the knot along the vertical subsidiary cord references its place value (1s, 10s, 100s, 1000s, 10000s). Different fibers and knot directions were employed, perhaps as markers of particular information.

Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.

NOTES
  • Currently not on view.
  • Inka (Inca), Late Horizon, c. A.D. 1476-1534 (noted on TMS), updated by KJones on 10/16/13 and 01/03/14.
  • Updated geography and dates in TMS to reflect Inca label -- Perú: Andean highlands or coast, A.D. 1400–1570.

Catalogue essays

Artist/designers

Cultures
Inka (Inca): AAT: 300017326
Inca horizon: AAT: 300017352

Geography 
Inca Empire: TGN: 6002741
Peru (nation): TGN: 1000056

Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
weaving: AAT: 300053642
knotting (textile construction processes and techniques): AAT: 300053635
tying: AAT: 300053026
cotton (fiber): AAT: 300183670
camelidae (camelid) fiber: AAT: 300310434
plant fibers: AAT: 300014031
indigo (colorant): AAT: 300013055

Historical periods
Late Horizon Period: AAT: 300017332

Individuals

Subject terms
record-keeping works: AAT: 300026685
records (documents): AAT: 300026685
recording: AAT: 300077610
documentation (activity): AAT: 300054638
cord (fiber product): AAT: 300014247
knots: AAT: 300186759
knotwork: AAT: 300169858
ties (fasteners): AAT: 300239307
indigo (color): AAT: 300311066
brown (color): AAT: 300127490
white (color): AAT: 300129784

RELATED OBJECTS 

PROVENANCE 
Until 1976: Nora and John Wise, New York [1]

1976-1989: Dallas Museum of Fine Arts, on long-term loan from the above [1], [2]

From 1989: Dallas Museum of Art, the Nora and John Wise Collection, bequest of Nora Wise [1]

[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.

[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS
 
XXXXX: UMO. [Caption] A drawing by Felipe Guaman Poma de Ayala from his 1615 Chronicle shows two rows of stone store-houses (qolqas). The administrator seated on the right holds a quipu, the knotted cotton cords by which the Inca recorded numerical tallies using a decimal system. Source: Carol Robbins, “An Inca Tunic,” in Dallas Museum of Art, 100 Years, ed.  Dorothy M. Kosinski (Dallas, TX: Dallas Museum of Art, 2003), Pamphlet number 76. 

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1989.W.2262




Category
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General Description
Andean cultures did not have a recognizable writing system prior to the Spanish conquest in the early 1530s; however, they did utilize a system of recording through knotted cords, known as quipu (khipu; “knot” in Quechua). Quipu that date to the Late Horizon (1400-1532 CE) and early Spanish Colonial period (1400-1570 CE) vary in structure, from numeric records to “anomalous” types that possibly record more abstract concepts. Spanish chroniclers cite their use by specialists, known as quipucamayoc (khipucamayuq), for recording census, taxes, and stored goods such as dried maize and potatoes. Early forms of quipu were used during the Middle Horizon (600-1000 CE), under Huari (Wari) cultural influence.

This Inca-style quipu exhibits a numerical structure based on the Andean decimal system. The number of loops in a knot indicates the numerical value, while the placement of the knot along the vertical subsidiary cord references its place value (1s, 10s, 100s, 1000s, 10000s). Different fibers and knot directions were employed, perhaps as markers of particular information.

Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes
  • Currently not on view.
  • Inka (Inca), Late Horizon, c. A.D. 1476-1534 (noted on TMS), updated by KJones on 10/16/13 and 01/03/14.
  • Updated geography and dates in TMS to reflect Inca label -- Perú: Andean highlands or coast, A.D. 1400–1570.

Catalogue essays

Artist/designers

Cultures
Inka (Inca): AAT: 300017326
Inca horizon: AAT: 300017352

Geography 
Inca Empire: TGN: 6002741
Peru (nation): TGN: 1000056

Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
weaving: AAT: 300053642
knotting (textile construction processes and techniques): AAT: 300053635
tying: AAT: 300053026
cotton (fiber): AAT: 300183670
camelidae (camelid) fiber: AAT: 300310434
plant fibers: AAT: 300014031
indigo (colorant): AAT: 300013055

Historical periods
Late Horizon Period: AAT: 300017332

Individuals

Subject terms
record-keeping works: AAT: 300026685
records (documents): AAT: 300026685
recording: AAT: 300077610
documentation (activity): AAT: 300054638
cord (fiber product): AAT: 300014247
knots: AAT: 300186759
knotwork: AAT: 300169858
ties (fasteners): AAT: 300239307
indigo (color): AAT: 300311066
brown (color): AAT: 300127490
white (color): AAT: 300129784

RELATED OBJECTS 

PROVENANCE 
Until 1976: Nora and John Wise, New York [1]

1976-1989: Dallas Museum of Fine Arts, on long-term loan from the above [1], [2]

From 1989: Dallas Museum of Art, the Nora and John Wise Collection, bequest of Nora Wise [1]

[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.

[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1989.W.2262
tags
#draft
#completed
@Higgins
*Arts of the Americas
%copyedited_Gail
%Archived
white (color): AAT: 300129784
textiles (visual works): AAT: 300014063
Peru (nation): TGN: 1000056
brown (color): AAT: 300127490
weaving: AAT: 300053642
Inca horizon: AAT: 300017352
Quechua: AAT: 300017928
Inca (Inka): AAT: 300017326
Late Horizon period (Pre-Columbian Andean styles and periods): AAT: 300017332
cord (fiber product): AAT: 300014247
textile materials: AAT: 300231565
cotton (fiber): AAT: 300183670
ties (fasteners): AAT: 300239307
indigo (colorant): AAT: 300013055
indigo (color): AAT: 300311066
camelidae (camelid) fiber: AAT: 300310434
recording: AAT: 300077610
Inca Empire: TGN: 6002741
plant fibers: AAT: 300014031
knots: AAT: 300186759
knotting (textile construction processes and techniques): AAT: 300053635
knotwork: AAT: 300169858
khipus (quipus / information artifacts by physical form): AAT: 300264828
tying: AAT: 300053026
documentation (activity): AAT: 300054638
record-keeping works: AAT: 300026685
records (documents): AAT: 300026685
source file
object_notes_3_c-0126.xml.nores