GENERAL DESCRIPTION
Inca (Inka) tunics, or uncu (unku), were often decorated in grid blocks of distinct designs, called tocapu (tucapu), that alternated in color and orientation across the tunic. The repeated bar-and-dots motif on this textile is known as the “Inca key motif,” one of the four most common design patterns on Inca fine tapestry-woven tunics. Visible along the base, this key checkerboard tunic bears an embroidered zigzag. The zigzag and four selvedges (borders) make evident the standardization of Inca elite textile production. These uncu would have been produced by hand on a vertical loom with substantial effort invested by state weavers. Such fine weaving affirms the social status afforded by textiles and their production in Inca society.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
NOTES
- Inka (Inca), Late Horizon, 1400-1540, updated by KJones in TMS on 06/01/15, 01/03/14, 06/01/15, 12/11/15, 12/14/15, and 01/25/16.
- Updated geography and medium in TMS to reflect Inca label -- Perú: Andean highlands or coast, camelid fiber.
Catalogue essays
Artist/designers
Cultures
Inka (Inca): AAT: 300017326
Inca horizon: AAT: 300017352
Geography
Inca Empire: TGN: 6002741
Peru (nation): TGN: 1000056
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
weaving: AAT: 300053642
embroidering: AAT: 300053653
warp: AAT: 300227930
weft: AAT: 300227934
tapestry (process): AAT: 300061981
interlocked tapestry: AAT: 300228526
selvedge (textile components): AAT: 300227893
four-selvedged (textile components): DMA
Historical periods
Late Horizon Period: AAT: 300017332
Individuals
Subject terms
tunics (main garments): AAT: 300209869
fragments (object portions): AAT: 300117130
checker pattern: AAT: 300010111
step pattern: AAT: 300010229
squares (geometric figures): AAT: 300055637
stepped frets (meanders (patterns)/motifs): AAT: 300010171
red (color): AAT: 300126225
green (color): AAT: 300128438
yellow (color): AAT: 300127794
brown (color): AAT: 300127490
checker pattern (checkerboard): AAT: 300010111
stripes: AAT: 300010230
zigzags (geometric patterns): AAT: 300165028
key pattern (frets): AAT: 300010163
Inca key motif (motifs / patterns): DMA
tocapu (tucapu / information artifacts): AAT: 300264871
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
- This matches Inca Kero (1976.W.1850).
TEACHING IDEAS
RULES
Apply to objects where number equals 1976.W.2097.a-b
Category
rules_operator
AND
General Description
Inca (Inka) tunics, or uncu (unku), were often decorated in grid blocks of distinct designs, called tocapu (tucapu), that alternated in color and orientation across the tunic. The repeated bar-and-dots motif on this textile is known as the “Inca key motif,” one of the four most common design patterns on Inca fine tapestry-woven tunics. Visible along the base, this key checkerboard tunic bears an embroidered zigzag. The zigzag and four selvedges (borders) make evident the standardization of Inca elite textile production. These uncu would have been produced by hand on a vertical loom with substantial effort invested by state weavers. Such fine weaving affirms the social status afforded by textiles and their production in Inca society.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
- Inka (Inca), Late Horizon, 1400-1540, updated by KJones in TMS on 06/01/15, 01/03/14, 06/01/15, 12/11/15, 12/14/15, and 01/25/16.
- Updated geography and medium in TMS to reflect Inca label -- Perú: Andean highlands or coast, camelid fiber.
Catalogue essays
Artist/designers
Cultures
Inka (Inca): AAT: 300017326
Inca horizon: AAT: 300017352
Geography
Inca Empire: TGN: 6002741
Peru (nation): TGN: 1000056
Process/materials
textiles (visual works): AAT: 300014063
textile materials: AAT: 300231565
camelidae (camelid) fiber: AAT: 300310434
weaving: AAT: 300053642
embroidering: AAT: 300053653
warp: AAT: 300227930
weft: AAT: 300227934
tapestry (process): AAT: 300061981
interlocked tapestry: AAT: 300228526
selvedge (textile components): AAT: 300227893
four-selvedged (textile components): DMA
Historical periods
Late Horizon Period: AAT: 300017332
Individuals
Subject terms
tunics (main garments): AAT: 300209869
fragments (object portions): AAT: 300117130
checker pattern: AAT: 300010111
step pattern: AAT: 300010229
squares (geometric figures): AAT: 300055637
stepped frets (meanders (patterns)/motifs): AAT: 300010171
red (color): AAT: 300126225
green (color): AAT: 300128438
yellow (color): AAT: 300127794
brown (color): AAT: 300127490
checker pattern (checkerboard): AAT: 300010111
stripes: AAT: 300010230
zigzags (geometric patterns): AAT: 300165028
key pattern (frets): AAT: 300010163
Inca key motif (motifs / patterns): DMA
tocapu (tucapu / information artifacts): AAT: 300264871
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1976.W.2097.a-b
source file
object_notes_3_b-0240.xml.nores