GENERAL DESCRIPTION
The town of Alcaraz had long been a famous Moorish rug-making center in Murcia and rose to prominence as a weaving center in the 15th century. In 1504, the town fathers presented to Queen Isabella of Castile an impressive selection of rugs. During the 16th century reigns of the Emperor Charles V and King Phillip II, Alcaraz rugs are frequently listed in the inventories of royal residencies. However, by the mid-17th century, Alcaraz's industry had all but perished.
The wide borders of this rug, believed to have come from Alcaraz, depict motifs of flowers by themselves and in holders flanked by scrolled straps. The ordered lush foliage of the central field is inspired more directly by North Italian Renaissance than Islamic style.
Many of the later rugs attributed to Alcaraz are in patterns inspired by contemporary silk fabrics. The lattice with palmette design used here for the center panel is frequently found on Italian voided velvets of the period. Precedents for the border motif of paired beasts confronting one another can be seen in contemporary fabric design.
Adapted from
- Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 31.
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 208.
NOTES
TMS Updates
search dates
place of origin
provenance
bibliography
text entries
- Letter written in French dated June 1967 to Emery Reves from Tarica Ltd. in regard to this rug.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
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RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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YouTube~Learn more about the origin of Alcaraz rugs in Spain.
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Apply to objects where number equals 1985.R.102
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General Description
The town of Alcaraz had long been a famous Moorish rug-making center in Murcia and rose to prominence as a weaving center in the 15th century. In 1504, the town fathers presented to Queen Isabella of Castile an impressive selection of rugs. During the 16th century reigns of the Emperor Charles V and King Phillip II, Alcaraz rugs are frequently listed in the inventories of royal residencies. However, by the mid-17th century, Alcaraz's industry had all but perished.
The wide borders of this rug, believed to have come from Alcaraz, depict motifs of flowers by themselves and in holders flanked by scrolled straps. The ordered lush foliage of the central field is inspired more directly by North Italian Renaissance than Islamic style.
Many of the later rugs attributed to Alcaraz are in patterns inspired by contemporary silk fabrics. The lattice with palmette design used here for the center panel is frequently found on Italian voided velvets of the period. Precedents for the border motif of paired beasts confronting one another can be seen in contemporary fabric design.
Adapted from
- Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 31.
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 208.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates
search dates
place of origin
provenance
bibliography
text entries
- Letter written in French dated June 1967 to Emery Reves from Tarica Ltd. in regard to this rug.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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object_notes_3_b-0124.xml.nores