GENERAL DESCRIPTION
The Moche culture dominated the north coast of Peru from the first to the eighth century CE. At its peak, about 400 CE, the Moche realm encompassed ten contiguous river valleys. Moche artists were sophisticated metallurgists in gold, silver, and bronze, and their prolific ceramic tradition often made use of molds. Moche potters excelled at modeling, which they used to produce naturalistic portrait heads, plants, animals, and figural compositions, and they were adept painters. This vessel combines these skills in treating an important Moche theme, the deer hunt. The modeled three-dimensional forms of hunter and deer complement the delicately painted scene that covers the vessel. Seen amid the lacy branches of acacia trees, three hunters in elaborate garb have trapped three deer in a net and have speared another. Long-tailed, spotted dogs in the painted scene seem to attack the modeled deer that leaps above them.
Excerpt from
Bonnie Pitman, ed., "Stirrup-spout vessel with deer hunting scenes (1969.2.McD)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 26.
NOTES
Moche, Early Intermediate Period, 450–550 C.E. (noted on TMS), updated by KJones on TMS, 11/29/13, 05/26/14, 06/19/14, 02/05/16, 09/06/16, and 01/10/17.
Cultures
Moche: AAT: 300017287
Geography
Moche (river): TGN: 7016595
Peru (nation): TGN: 1000056
Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
resin (organic material): AAT: 300012882
bridge spouts: AAT: 300203289
modeling (forming): AAT: 300053130
coiling (pottery technique): AAT: 300053903
firing (technique): AAT: 300053887
fine-line painting (pottery decorating techniques): DMA
Historical periods
Early Intermediate period (Pre-Columbian Andean styles and periods): AAT: 300017280
Individuals
Subject terms
vessels (containers): AAT: 300193015
ritual vessels: AAT: 300265801
stirrup-spout vessel (containers): DMA
hunts (event/activity): AAT: 300386094
hunters (people): AAT: 300025619
deer: AAT: 300250308
dog: AAT: 300250130
acacia tree (gum tree/senegalia): AAT: 300389683
RELATED OBJECTS
PROVENANCE
Until 1969: Edward Shaw, Buenos Aires, Argentina [1]
From 1969: Dallas Museum of Fine Arts, The Eugene and Margaret McDermott Art Fund, Inc., purchased from the above [1], [2], [3]
[1] The main source for this provenance is Acquisition Record (dated March 4, 1969, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
[3] Works of art given or purchased by The Eugene and Margaret McDermott Art Fund, Inc., a non-profit organization, are placed in the custody of the DMA for the purpose of public display on the premises of the Museum or in other recognized art galleries or museum. The title to all works of art purchased (or otherwise acquired) by the McDermott Art Fund remains with the Fund.
AUDIO ASSETS
VIDEO ASSETS
- 12937030: UMO. Curator Carol Robbins discusses this vessel.
- 12933305: UMO. Dynamic label for Stirrup-spout bottle with deer hunting scene (1969.2.McD), 2010 [Video courtesy of Dallas Museum of Art]
IMAGE ASSETS
253364780: UMO. [Caption] Gum Acacia tree (Senegalia senegal). Source: Neha.Vindhya (own work), Wikimedia Commons, accessed: April 27, 2015, http://en.wikipedia.org/wiki/Senegalia_senegal#/media/File:Khair.JPG.
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1969.2.McD
Category
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General Description
The Moche culture dominated the north coast of Peru from the first to the eighth century CE. At its peak, about 400 CE, the Moche realm encompassed ten contiguous river valleys. Moche artists were sophisticated metallurgists in gold, silver, and bronze, and their prolific ceramic tradition often made use of molds. Moche potters excelled at modeling, which they used to produce naturalistic portrait heads, plants, animals, and figural compositions, and they were adept painters. This vessel combines these skills in treating an important Moche theme, the deer hunt. The modeled three-dimensional forms of hunter and deer complement the delicately painted scene that covers the vessel. Seen amid the lacy branches of acacia trees, three hunters in elaborate garb have trapped three deer in a net and have speared another. Long-tailed, spotted dogs in the painted scene seem to attack the modeled deer that leaps above them.
Excerpt from
Bonnie Pitman, ed., "Stirrup-spout vessel with deer hunting scenes (1969.2.McD)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 26.
Fun Facts
Archival Resources
Web Resources
Notes
Moche, Early Intermediate Period, 450–550 C.E. (noted on TMS), updated by KJones on TMS, 11/29/13, 05/26/14, 06/19/14, 02/05/16, 09/06/16, and 01/10/17.
Cultures
Moche: AAT: 300017287
Geography
Moche (river): TGN: 7016595
Peru (nation): TGN: 1000056
Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
resin (organic material): AAT: 300012882
bridge spouts: AAT: 300203289
modeling (forming): AAT: 300053130
coiling (pottery technique): AAT: 300053903
firing (technique): AAT: 300053887
fine-line painting (pottery decorating techniques): DMA
Historical periods
Early Intermediate period (Pre-Columbian Andean styles and periods): AAT: 300017280
Individuals
Subject terms
vessels (containers): AAT: 300193015
ritual vessels: AAT: 300265801
stirrup-spout vessel (containers): DMA
hunts (event/activity): AAT: 300386094
hunters (people): AAT: 300025619
deer: AAT: 300250308
dog: AAT: 300250130
acacia tree (gum tree/senegalia): AAT: 300389683
RELATED OBJECTS
PROVENANCE
Until 1969: Edward Shaw, Buenos Aires, Argentina [1]
From 1969: Dallas Museum of Fine Arts, The Eugene and Margaret McDermott Art Fund, Inc., purchased from the above [1], [2], [3]
[1] The main source for this provenance is Acquisition Record (dated March 4, 1969, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
[3] Works of art given or purchased by The Eugene and Margaret McDermott Art Fund, Inc., a non-profit organization, are placed in the custody of the DMA for the purpose of public display on the premises of the Museum or in other recognized art galleries or museum. The title to all works of art purchased (or otherwise acquired) by the McDermott Art Fund remains with the Fund.
AUDIO ASSETS
VIDEO ASSETS
- 12937030: UMO. Curator Carol Robbins discusses this vessel.
- 12933305: UMO. Dynamic label for Stirrup-spout bottle with deer hunting scene (1969.2.McD), 2010 [Video courtesy of Dallas Museum of Art]
rules
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object_notes_3_b-0032.xml.nores